the ground like it’s growing from a seed. There’s another ride off in the distance, and at first I think it’s a smaller Ferris wheel turned onto its side, but as we get closer, I can see metal horses inside of it, impaled by poles, their legs poised as though they were trying to escape before they were immobilized. Madame catches me staring and tells me it’s called a merry-go-round.
The black eyes of the horses fill me with pain. I want to break the spell on them, to animate the muscles in their legs and set them running free.
Madame brings me to the rainbow tent, the biggest and tallest of them all. Four of her boys are guarding it, their guns crossed at their chests like half an X. They don’t bother to look at me as Madame ushers me past, ruffling one of their heads.
She opens the tent flap, and a gust of cool air rolls in, unsettling the girls inside like wind chimes. They mutter and stir. Most of them are sleeping, piled against and atop one another.
The girls are all the same, like I’m looking into a house of mirrors. Long, bony limbs hunched against each other, and lipstick-smeared mouths full of rotted teeth. And for some girls it’s not lipstick—it’s blood. Unlit lanterns hang over their heads. The sun through the tent lights them up in oranges and greens and reds.
And farther down is the entryway to another tent that is veiled off by silk scarves trailing sickly sweet perfume, and something else. Decay and sweat. When Rose was dying, she concealed herself in powders and blush, but Jenna didn’t, and as I cared for Jenna during those final days, I could see her sallow skin beginning to bruise, and then the bruises would sink down to the bones and fester. It was a smell that haunted my dreams. My sister wife rotting from the inside out.
“I call this my greenhouse,” Madame says. “The girls sleep all day, so they can be fresh as daisies in the evening. Lazy girls.”
A few of the girls bother to look at me, blinking lazily and then returning to sleep.
She says she names the girls after colors, so she can keep track of them. Lilac is the only girl named for a color that is also a plant, because Jared, one of Madame’s best bodyguards, first found her lying unconscious in the lilac shrubs that border the vegetable gardens. “Belly about to burst,” Madame jokes, laughing maniacally. Lilac gave birth under a swinging lantern in the circus tent, surrounded by curious Reds and Blues. And the Greens, Jade and Celadon, who have since died of the virus.
“Nasty, useless little girl,” Madame Soleski says, indicating the little girl from last night with the strange eyes, who has crept out from a shadow. “One look at that shriveled leg and I knew on the day she was born that I’d never be able to get a decent price for her when she was the right age. But she can’t even be put to work! She scares the customers away. She bites them!”
Lilac, who is burrowed among the others, draws her daughter into her arms without opening her eyes. “Her name is Maddie,” she mutters, her voice slurred.
“Mad is right,” Madame Soleski says, nudging the child with her shoe. Maddie cants her head up at her with a violent stare. She snaps her little teeth at the old woman, venomous and defiant. “And she doesn’t speak!” Madame goes on. “Malformed. Horrible, horrible girl. She should be put down. Did you know that a hundred years ago when an animal was useless, they used to have a chemical that would put it to sleep forever?”
The smell of so many girls in such a small space is making me dizzy, and so are Madame’s words. One of the girls is twirling her hair, and it’s falling out in her hands.
A guard stands in the entryway. When nobody else is looking, I watch him reach into his pocket and then hold out a strawberry for Maddie. She pops it into her mouth, stem and all, a delicious secret she devours whole.
I hear a noise from the tent that’s veiled off. I think it’s a cough, or a