some of the extraordinary things we should find ourselves doing.”
“Nor I,” Charlotte said frankly. “But some of them have been wonderful, some terrifying, some tragic, and many most deepening of experience, and I hope of wisdom and understanding. I pity those women who have nothing to do but stitch embroidery, flirt, gossip and try to think of something to do which could be called charitable and yet not impair their reputations or get their fingers dirty!”
Caroline pulled a slight face, but did not voice the argument in her mind. She knew Charlotte well enough to appreciate the pointlessness of it, and a small part of her had a sneaking desire to dabble in such adventures herself, not that she would have admitted it.
A few moments later the door opened and Pitt stood in the entrance, his face grave. His eyes went first to Caroline.
“I’m sorry, Mama-in-law,” he apologized. “But it seems as if it may be a case for the police, and since no one else is here now, I should go and see two of the actors. Stafford visited both of them earlier in the day. They may have some connection—or at least know something that explains what happened.”
Charlotte rose to her feet quickly, absentmindedly straightening her skirt.
“We’ll come with you. I don’t want to wait here, do you, Mama?”
“No.” Caroline stood up beside her. “No. I’d far rather come with you. We can wait somewhere where we shall not intrude.”
Pitt stepped back and held the door open for them. Hastily they passed through, then walked along the corridor with him to the stage door, which apparently he had found. The manager was waiting for them, shifting from foot to foot, his face creased with anxiety.
“What has happened, Mr. Pitt?” he said as soon as Pitt was close enough he did not need to raise his voice. “I know the judge is dead, but why do you need to see Miss Macaulay and Mr. Fielding? What can they possibly do to help?” He put his hands in his pockets and then pulled them out again. “I don’t understand, really I don’t! I want to be of assistance, naturally—but this is beyond comprehension.”
“Mr. Stafford visited with them earlier in the day,” Pitt replied, his hand on the door to the stage.
“Visited with them?” The manager looked appalled. “Not here, Inspector! Certainly not here!”
“No,” Pitt agreed as they walked in single file along the narrower passageway towards the room where Fielding and Tamar Macaulay had been asked to wait. “Miss Macaulay called upon the judge in his home. That at least we know.”
“Do we! Do we?” the manager demanded. “I know nothing about it at all!” He stopped and flung open the door. “There you are! I wash my hands of the whole affair! Upon my soul, as if this wasn’t bad enough! A judge dying in his box during the performance—and now the police! Anyone would think we were doing the Scottish play! Well go on, go on! You’d better do whatever it is you have to!”
“Thank you.” Pitt accepted with only the slightest twist of irony. He held the door just long enough for Charlotte and Caroline to pass through, then closed it with a very slight bow, just as the manager came to it.
Inside the room was calm and comfortable. Half a dozen easy chairs were scattered about over a carpeted floor. There was a small stove in one corner and a kettle on it. The walls were almost covered with past playbills and posters.Some were lists of actors, others quite elaborate and beautiful evocations of glamour. Looking at them one could almost hear the music begin, see the lights dim. Pitt recognized the faces of Henry Irving, Sarah Bernhardt, Ellen Terry, Herbert Beerbohm Tree, the young Italian actress Eleanora Duse and Mrs. Patrick Campbell.
But the room was unimportant. The figures that dominated everyone’s attention were standing side by side with a grace which was in all probability so practiced as now to be quite unconscious. Joshua Fielding was exactly