hadn't gotten in the way of their work at all during the entire three months of making the picture.
He smiled at her warmly as he took his arms from around her. “I'm going to miss you all over again now. And I thought I was over all that.” They both laughed.
“So will I.” She looked around at the rest of the cast, happily raising hell, and the director, passionately kissing the set designer, who also happened to be his wife. Faye had enjoyed working with them both. Directing had fascinated her ever since she had started acting. “What are you going to do now, Chris?”
“I'm leaving for New York in a week, and then I'm sailing to France. I want to spend a few days on the Riviera before this summer is entirely over. Everyone tells me it's too soon for France but what have I got to lose? I hear nothing's changed, except for a little rationing.” He looked rakish for a moment as he winked at her. He was twenty years older than she, but on him it looked more like ten. He was probably the best-looking man in town, and he knew it. “Care to come with me?” As attractive as he was, he no longer appealed to her.
“No thanks.” She gave him an airy smile, and then wagged a finger at him. “Now don't start that again. You've behaved yourself through this whole picture, Chris.”
“Of course, that was work. This is different.”
“Oh is that it?” She was about to say something to tease him, but suddenly the chaos around them seemed to heighten and a page ran onto the set screeching something Faye couldn't discern. For a moment, panic registered on a number of faces, and then shock, and then there were tears, and Faye still hadn't heard what had happened. She pulled anxiously at Chris Arnold's sleeve, her eyes anxious. “What did he say … ? What … ?” Chris was speaking to someone to his right, and Faye was straining to hear above the din.
“My God …” He turned to her with a look of amazement. And then without thinking he pressed her to him in a huge hug again, and she could hear his voice tremble when he spoke to her. “It's all over, Faye … the war is over. The Japanese have surrendered.” It had ended in Europe only months before, and now finally it was all over. Tears sprang to her eyes, and she was crying as she hugged him back. Suddenly everyone on the set was crying and laughing, others had joined them, and fresh cases of champagne were opened. Everyone was shouting now. “It's over! It's over!” No longer the film.,. but the war.
It felt like hours before she left the set to go back to her house in Beverly Hills, and the pain of finishing the movie was long since gone. It had been totally eclipsed by her joy that the war was over. It seemed amazing. She had been twenty-one years old when Pearl Harbor was bombed, and now here she was twenty-five years old, grown up, a woman, at the summit of her career.
This had to be the summit, she told herself that every year. She couldn't imagine anything improving from this point on. How could it? And yet it had. The roles got better and bigger and more important, the praise more lavish, the money more unbelievable each year. The only blemish in it all came when her parents died. It made her sad that her parents were no longer alive to enjoy it with her. They had both died the previous year. Her father of cancer, her mother in a car accident on an icy Pennsylvania road near Youngstown. She had tried to get her to come out to live in California with her, after her father died, but her mother hadn't wanted to give up her home. So now she had no one. The little house in Grove City, Pennsylvania, had been sold the year before. She had no sisters or brothers. And other than the faithful couple who worked for her in the small handsome house she had bought in Beverly Hills, Faye Price was alone. She seldom felt lonely though, there were too many people around her for that. She enjoyed her work and her friends. And yet, it was odd not having any family now.
Elizabeth Amelia Barrington