taking her stack of rags from the table. She hasnât told them what the policeman wanted and is hoping Lavinia will do it for her somehow. The curtains are drawn in the front room on all the windows that overlook the wraparound porch to prevent the children looking out. Thereâs nothing but the sheer lace curtain over the glass in the front door, but thereâs nothing to be done about that. Mae sees another man through it, waiting for someone to answer the door. Heâs standing there alone, just as the policeman was, and when she opens the door, he greets her with another âmaâam.â Heâs already laid the body of a woman to the side and is saying, âThereâs some coming without their clothes,â and she answers, âWeâve got clothes,â thinking of the paper bags and of her grandmother on the dining room table. Across the street, there are people crawling over the wreckage of their house, making piles of what belongings they can salvage on the grass. Next door, the Eberhardtâs porch is being put to the same use as hers. Mae looks away; she doesnât need to see what theyâre doing over there, sheâll be doing it herself in a moment.
âStraighten them out if you can,â the man is saying, going back down the walk. âSome of them are already going stiff.â
Sheâs crying again and her blood is thundering in her ears. Her face is convulsed and thereâs no way to stop it, so she lifts her apron to her face and waits. It occurs to her that she has not yet had word about her friend Bess and she is ashamed not to have thought of Bess before this. She glances at the woman the policeman laid out long enough to be sure she doesnât recognize her and looks away again quickly. A list of painful truths races through Maeâs head, among them the fact that Bess and her husband Stuart never dug a storm cellar for their house. Whether Stuart was inside or out when the storm hit is impossible to say, the only certain thing is that he was at work at the rail yards and not at home with Bess. Mae can picture the McCorkle house in every detail, she can picture Bess in it, and now sheâs working hard to stop the image of that house in ruins from entering her mind. Bess and Stuartâs house is not so far away, only a couple of blocks north of downtown. Sheâs praying, but itâs all wrong. She should be pleading, bargaining with God, for Bessâs safety, but instead sheâs praying that Bessâs body doesnât end up on her porch. Thank God, she thinks, that they hadnât any children.
The boards Paul painted gray are there beneath her feet and thereâs a creaking sound coming from somewhere that sounds like the porch swing, and in her head she sees Paul, leaning back with her on their swing, rocking them slowly with just the heel of his work boot saying,
We got the best corner lot in town, weâve sure got a view
. But the woman is waiting and there are more coming, so she dips hot water out of the washtub with a pail and kneels by the womanâs side to begin to wash her. Someoneâs child, someoneâs sister, she thinks, wiping the womanâs muddy palm with her rag and then someoneâs wife when she comes to the other hand and its ring. She washes the womanâs face and neck, and when she hears the front door open, she looks up and Lavinia is standing there with her hand over her mouth. Mae asks her for a bedsheet and when Lavinia brings it to her she asks for the paper sacks they packed earlier, all of them. She straightens the womanâs legs and folds her arms over her stomach with the wedding ring showing, then stretches the sheet out over her and puts a chunk of brick and a snapped piece of two-by-four she has found in the yard on one side to keep it from lifting in a breeze. Itâs a double sheet, one of hers and Paulâs. How many times has she folded it before, with Lavinia on the