snake.â
âWhat?â James looked round at her. âWhat did you say?â
âJust . . . pretending something,â she replied. He shook his head. âFuck, you say such fucking weird things.â
âIs that still your favourite word?â asked Isola interestedly. âI like âverisimilitudeâ. Tolkien said the most beautiful English phrase is âcellar doorâ.â
âObviously heâd never been locked behind one.â
Isola turned her gaze back to the python. âGot any mice?â
James raised the remote, turning down the Tarantino. âI might,â he replied. âAre you going to tell me whatâs wrong?â
Isola shook her head.
âNo, nothingâs wrong, or no, you wonât tell me?â
She didnât answer.
âWell, what happened at school today?â
The snake lifted its head, watching the dangling ring on her necklace as though hypnotised.
âNot much,â she said. âGrape wasnât there, obviously. I went into the chapel and had lunch under the old organ. One of the nuns actually averted her gaze when she saw me,â she added, feigning offence.
âProbably surprised she didnât burst into flames,â snickered James. âWhat did that nun call you once? A wild child, right? The heathen Wilde Child of the woods . . .â
In a breathless flash, Isola saw the trees again, heard the sorrowful creak of a cage on a rope, Alejandroâs shoes scuffling in the dirt. She heard a sparrow snap a red blood-string, an eye gobbled from a wet socket.
She caught her breath and turned back to the tank. James hadnât noticed; his focus was back on the film, despite the fact heâd watched it so often he could mouth the dialogue. Isola shifted the glass lid of the tank. âI found a dead body in the woods today,â she said. âCan I take him out?â
The movie filled the silence. Nothing but the puncture bites of gunfire.
âIsola â what?â
âCan I take him out?â She was already reaching in, tugging the python up by his middle and draping him round her neck like some grand grotesque scarf. The snake wound itself round and round her necklace chain, seeking a comfortable place to cling.
James lifted the remote, and this time he switched the television off. The silence stretched elastic.
âIsola,â he said in obvious shock. âA dead body? Do you . . . really mean that?â
She wouldnât look at him. âOh. Yes, I do mean that.â She spoke more to the snake than him.
âBut, are you . . . whoâve you told?â
âYou.â
âIsola! I â damn, are you okay?â
The snakeâs curious little head disappeared down her shirt. Isola tried to fish him out of her bra. âIâm fine. Sheâs not. She was in a birdcage . . . strung up a tree.â
The words hung like stockinged legs, strange and somewhat ridiculous in the context of his bedroom. She heard a long exhale, and finally turned to look at him.
Jamesâs ashen face seemed to relax; his glazed eyes blinked moisture back into the sockets. âFuck, you nearly gave me a heart attack. And why â why do you do that?â The shocked relief had already passed; he looked angry now. âTell stories like they really happened?â
âIt did happen!â said Isola hotly. âThere are bodies everywhere lately, first that TV suicide Sunday night and now this. The dead girlâs still in the woods, I could show you ââ
âYou saw that suicide? The fairground one?â James sounded concerned.
âYes, but ââ
âIsola. Look at me for a minute.â He formed the words with deaf lips, exaggerating the shapes. âAre you saying thereâs really a body in the woods?â
â Yes , and she was a princess, and ââ
James stood suddenly, the blood rushing from his face. âWhere did you hear