gone to school with, boys who were just like their fathers and their brothers and their uncles. And they all lived within ten minutes of their parents and siblings. Their whole life revolved around la famiglia âwhich was fine, if thatâs what you wanted.
But Theresa never had.
When she was in high school, sheâd take the subway into Manhattan every chance she could and just walk around, exploring. Bookstores were her favorite: the Strand and Partners & Crime in the Village, where she could gorge on mysteries. And the Public Library on Forty-second Street. God, she loved that placeâstill didâwith its reverential silence and implicit promise of transformation. Those trips to Manhattan were what helped her realize she wanted to go to college and major in English. Her family actively encouraged her dream. So why was it, now that sheâd carved out a successful life for herself, they held it against her, accusing her of getting too big for her britches and forgetting about her roots? She didnât get it. Didnât parents want their children to spread their wings and fly? Why were her folks always trying to drag her back down into the nest?
She suspected part of it was because she was still single. So what if she ran her own business, lived in the city, and occasionally brushed elbows with the rich and famous in the course of her work? In her family, what mattered was getting married and having babies. Her mother and sister-in-law were constantly on her case, offering to set her up with friends of cousins and neighbors, always wanting to know if sheâd met anyone âniceââa polite code word for âItalian.â Too bad I donât like Michael Dante, she mused. Heâd be right up their alley.
Michael Dante . . .
Thankfully, the meeting hadnât been as uncomfortable as sheâd expected, though she was displeased sheâd let her guard down even momentarily, and the bizarro older brother was a little unnerving. She tried to recall if sheâd met Anthony at Ty and Jannaâs wedding or any Blades functions, but came up blank. He must have been hiding in the kitchen the whole time. Pondering the Dante account, her gaze was drawn to the small Miro lithograph hanging across the room, which led her to thinking about the artworkâif you could call it thatâat the restaurant. God, was it awful. How could she tactfully suggest a new look? Yawning, she glanced up at the clock. Quarter to five. Resignedly, she picked up the phone to call Lou Capesi, when a knock sounded at her door and Janna stuck her head inside.
âGot a minute?â
âOf course.â Theresa put the phone back in the cradle. âHow did it go with Piazza?â
Janna gave a big thumbs-up, smiling broadly. âI think heâs going to have us work for his charitable foundation.â
âThatâs great! â Theresa hadnât realized how tense she had been. Hearing Jannaâs good news, she could feel her hunched shoulders slowly lowering.
âHowâd it go at Danteâs?â
âWell, the good news is he committed to a year, not a month-by-month.â
Janna perched on the edge of the desk. âThatâs fantastic.â
âThe bad news is the brother, whoâs the head chef and runs the place, had a total conniption about my being there and wants nothing to do with any of it.â
âYouâll just have to work around him.â
âI hope I can work it, period,â said Theresa uneasily. âIâve never handled a restaurant account before. I think I might be in over my head.â
âYouâll be fine.â
âWhat if Iâm not?â
âTer, we donât have a choice,â Janna said grimly. âWe need the money.â
âRight.â
Janna gazed thoughtfully into space. âI think I might know someone at the Food Network.â
âThat would be great. Maybe we could get them on
Janwillem van de Wetering