more of a Tlaloc than any of them.
â I like her, Mamá. That seems somewhat more relevant.â
His father, as usual, remains silent on questions of love.
âSheâs going to put ideas in your head,â his mother says.
âHow do you know Iâm not going to put ideas in her head?â
âOh, Jago.â His mother leans forward and clasps his hands. âYou think youâre such a strong man, but youâre still a soft boy. Youâre weak, here.â She taps his chest. âYou always have been.â
âWhat are you worried about, Mamá? That Iâll be happy?â
âThis is a girl who doesnât understand anything about your life or your responsibilities, Jago. If it were simply a distraction, if you weremerely slacking off . . .â She stops him before he can object. âYes, I know all about the training youâve missed, and I donât care. Boys will be boys, and all that. I want you to have your fun, Jago. But you canât go thinking itâs anything more. This girl, she doesnât fit into your lifeânot now, not ever. And you canât afford to start thinking that the two of you are the same. What you do . . . you canât just quit because you get bored.â
âDonât you think I know that?â he snaps.
Heâs thought about it plenty, what it would take to walk away, how much he would have to want it and how much he would be giving up.
âWatch your tone, Jago.â
âAlicia isnât just some girl, Mother. Sheâs not a distraction, but sheâs also not a bad influence. Sheâs . . . Alicia. Sheâs amazing. And you would see that, if you werenât so judgmental.â
Heâs the only person who dares talk to her this way, and often she likes it. Not tonight.
âI could forbid you from seeing her,â his mother muses, as if weighing the idea.
âDonât do that,â he warns her. âDonât make me choose.â
Her eyebrows shoot sky-high. âOh?â
He canât look at her.
âI see,â she says. âThen I suppose Iâll simply have to live with it, wonât I?â
She stands up with great dignity, turns her back on him, and strides out of the room. Heâs won, he thinks. But he doesnât feel that way. Maybe because sheâs right about one thing. Alicia has put ideas in his head, made him wonder whether violence and duty are his destiny, or only one choice among many.
He could be the Player without being a criminal, he thinks. He could choose a different life without renouncing his obligations. Isnât that possible? He could walk away from the family business, be a poet or a musician or some anonymous man selling fried meat in an alleyway . . . couldnât he? The Tlaloc familyâs rule over Puno has beeninextricably linked with Endgame and the Players for as long as any of the Olmec can remember, but just because something once was, must it always be?
He could even walk away from Endgame altogether, renounce his status as the Player, hand the sacred duty over to someone else. He could be free of all the training, of having the fate of his line rest on every choice he makes.
Jago remembers the first time he truly felt like the Player. He was 13 years old, just months past swearing the oath, binding himself to this life and this duty. He had been on training missions before, of course, but this one was different. This wasnât simply some exercise put to him by his uncles, an attempt to hone his skills. This was real. Meaningful.
He had scaled a skyscraper in Buenos Aires, disabled an alarm system, slipped past a security force armed with machine guns, cracked a safe owned by the richest man in Argentina, and taken an ancient Olmec knife that this manâs ancestors had stolen from Jagoâs people long ago.
There have been so many missions since then that Jago barely remembers this one. He left some bodies