blurring and washing away. A strip of damp leads up the wall, as if someone in dirty shoes recently stood there, leaning against the cabin.
Margie’s throat closes. Her body jerks rigid. Behind her the storm menaces—howling and beating and breaking. It’s as if the entire world’s turning inside out, the cacophony of the mountain splitting apart.
She turns around. The sky’s dark, everything that color of deep dusk, when shapes bleed into each other and your eyes play tricks. Movement hums around her but always out of sight. Her teeth chatter as she forces air into her lungs, willing everything to just shut up a moment so she can figure out what’s going on.
She waits for someone to burst out of the rain. To throw her against the wall and attack her in the way of men or monsters or both. A thin thread of light from inside cuts across the porch, dissolving into the storm. Through it she watches individual drops of rain plummet and splatter, running together over and around the cabin.
Every muscle in her body tight and trembling, she slips into the cabin and wraps her hands around the shotgun, its weight a comfort. She carries the lantern from room to room, listening for a sound out of place under the beating of the storm. Everywhere’s empty just the way it should be, but she leaves the lantern burning on the table because she can’t bear the dark.
Tucking the gun under her arm, she climbs up to the loft and pulls the rope ladder after her. Sally’s gone to bed long enough before that she already sleeps deep and even, her breathing a syncopated hiss mixing with the storm. Margie spends the night pressed against the wall, staring out the windows to the clearing around the cabin. Tiny squares of light spill from downstairs, flickering like fire against the darkness.
The storm clears before dawn and, exhausted, Margie sneaks back onto the porch. She’s almost convinced herself she dreamed the puddles—of course no one had been there, of course it was just the rain collecting under the eaves. The cabin’s old, the gutters unrepaired.
There are a million explanations for what she saw the night before. Margie’s just about convinced herself of all of them as birds wake up around her and start calling to the day.
But then she sees the book. It lies on its spine, flipped open to the middle, pages fluttering in the remnant wind. When she picks it up, the cover curls a bit and wet fingerprints smudge some of the corners.
It’s the Visitor’s Guide to West Virginia .
“Found your book.” Margie tosses it onto the table, causing one of the chipped plates to rattle. “You should be more careful with it—if it hadn’t been tucked behind one of the planters on the porch, it would have gotten soaked,” Margie adds.
Sally looks up at her, lips stained dark with juice. “I didn’t take it outside, duh.”
Margie stands at the sink and looks out the window. She loves her sister, knows she’s probably right. But she has to believe Sally’s lying because otherwise someone came into the cabin and took the book. Someone stood leaning against the wall, flipping through pages while Sally and Margie sat inside, oblivious.
Her fingernails scratch against the old dingy grout of the tiled kitchen counter. This cabin’s the safest they’ve found since the change time. They’ve built a quasi-life here perched on the tip of a steep mountain. Margie’s garden is coming in, she has supplies enough to can and pickle, and the well has a hand pump so they don’t have to worry about water.
Though she lets Sally plan road trips in the evenings, Margie’s indulged herself with the idea of staying for a while. Settling in further. Spending the winter beside the fire quilting. Simple things you don’t dare dream about while the dead rumble around you.
Margie’s shoulders sag. Whoever’s out there hasn’t hurt them. Not yet. But if there’s anything Margie’s learned about the world since it changed, it’s that