revolved around the imposition on Earth dwellers by aliens from the planet Tara-Zanthia (or something similarly debutante-like) of an economy based on domestic cats and dogs. It was a simple fiscal equation – the more cats and dogs you possessed the wealthier you were. Pedigree breeds became a kind of über -currency and puppy farms grew to be the backbone of the black economy.
Much of this writing fever (for it is an illness) had been precipitated by the inauguration of a degree paper in creative writing the previous year. Archie had lobbied strongly for the paper, because he thought it would give the English department the avant-garde edge that it so obviously lacked. A great many students had enthusiastically signed up for the course, not because they were necessarily interested in writing, but because the creative writing paper didn’t involve an exam. ∗
Archie, still tutoring the class in those days before the advent of Martha Sewell, dismissed the Tara-Zanthian tale as ‘pathetic shite’ and, mortified, The Boy With No Name had fled the room. He had always had some difficulty occupying all three dimensions at once, but it was from that day onwards he began to fade.
Archie, scooting around the room in his chair like the glass on a Ouija board, came to a sudden stop in front of Kevin. He looked at him vaguely as if he thought he recognized him from somewhere and then asked him an impenetrable question about Gramsci’s concept of hegemony. Kevin squirmed in his chair but still couldn’t take his eyes off Olivia’s seven-league boots. He had begun to sweat in the clammy atmosphere and the concealer on his chin had taken on a strange consistency so that it looked as if his skin was melting.
Kevin was saved from Gramsci by Professor Cousins, who wandered into the room at that moment. He caught sight of Archie and seemed confused.
‘Looking for something?’ Archie asked, rather impolitely, and under his breath muttered, ‘like your brain perhaps?’ Professor Cousins appeared to be even more puzzled. ‘I don’t know how I ended up here,’ he laughed. ‘I was looking for the toilet.’
‘You found it,’ Terri murmured, without apparently opening her mouth, or even waking up.
Professor Cousins was English – an affable, rather eccentric person who had recently taken his first tottering steps into dotage. Sometimes Professor Cousins was lucid, sometimes he wasn’t, and, as with anyone in the department, it wasn’t always easy to distinguish between the two states. The university’s strict laws of tenure dictated that he had to be dead at least three months before he could be removed from behind his desk. The crown may still have been perched precariously on the incumbent cranium of Professor Cousins, but the various faculty members were already deep in the throes of a momentous power struggle over the imminent possession of it. The sixties’ breeze-block walls echoed with machination and intrigue, plot and counterplot, as pretenders and contenders jostled for position.
Unnatural selection had already taken care of the main challenger for the post. The members of the English department were a notoriously accident-prone lot and the favourite – a statesmanlike Canadian called Christopher Pike – had eliminated himself by mysteriously falling down a flight of stairs in the Tower. Now that he was strung up in complex traction on the men’s orthopaedic ward of the DRI, the English department had witnessed a sharp escalation in hostilities between Archie and his two main rivals – Dr Dick and Maggie Mackenzie.
‘Well,’ Professor Cousins said, scratching his nose and hitching up his spectacles, ‘well, well.’ His almost bald head was covered in age spots; only a pale fringe of hair remained, like a friar’s tonsure or a ghostly atoll. He reminded me of an old animal – a sagging carthorse or an arthritic Great Dane, and I had an impulse to reach out and stroke his bald freckled pate and search