truth.”
I’d studied the immer a long time, but my first moment of immersion had been as impossible to describe as I insisted. With the handful of other carta-passed new crew and emigrants, and Bremeni Embassy Staff who’d finished their commissions, I’d come by ketch to my vessel. My first commission was with the Wasp of Kolkata . It was quasi-autonomous, a cityship, immersing under the flag of itself, subcontracted by Dagostin for this run. I remember I stood with all the other greenhorns in the crow’s-nest, Arieka a wall across the sky through which we moved, with beautiful care, toward our immersion point. Somewhere beneath the world’s static-seeming cloud was Embassytown.
The steersperson took us close to Wreck. It was hard to see. It looked at first like lines drawn across space, then was briefly, shabbily corporeal. It ebbed back and forth in solidity. It was many hundreds of metres across. It rotated, all its extrusions moving, each on its own schedule, its coagulated-teardrops-and-girder- filigree shape spinning complexly.
Wreck’s architecture was roughly similar to Wasp ’s, but it was antiquated, and it seemed many times our dimensions. It was like an original of which we were a scale model, until abruptly it altered its planes and became small or far off. Occasionally it wasn’t there, and sometimes only just.
Officers, augmens glimmering under their skins, reminded us first-timers what it was we were about to do, of the dangers of the immer. This, Wreck, showed that and why Arieka was an outpost, so hard to reach, so underdeveloped, satelliteless after that first catastrophe.
I would have been professional. Yes I was about to immerse for the first time, but I would have done anything I was ordered and I think I’d have done it well. But the officers remembered what it was like to be a rookie, and they had us, the handful of new immersers, at a viewing place. Where we could react as we had to, the skills we’d practised never a guarantee that the first time wouldn’t sicken you. Where we could take a moment with our awe and experience it however we experienced it. There are currents and storm fronts in the immer. There are in the immer stretches it takes tremendous skill and time to cross. Those were among the techniques I now knew, along with the somatic control, the mantric thoughtfulness and instrumentalised matter-offactness that made me an immerser, allowed immersers to stay conscious and intentional when we immersed.
On a map, it’s not so many billions of kilometres from Dagostin or other hubs. But those Euclidian star charts are used only by cosmologists, by some exoterres whose physics we can’t work, by religious nomads adrift at excruciating sublux pace. I was scandalised to first see them—maps were discouraged on Embassytown—and anyway such charts are irrelevant to travellers like me.
Look instead at a map of the immer. Such a big and tidal quiddity. Pull it up, rotate it, check its projections. Examine that light phantom every way you can, and even allowing that it’s a flat or trid rendering of a topos which rebels against our accounting, the situation is visibly different.
The immer’s reaches don’t correspond at all to the dimensions of the manchmal, this space where we live. The best we can do is say that the immer underlies or overlies , infuses , is a foundation , is langue of which our actuality is a parole , and so on. Here in the everyday, in light-decades and petametres, Dagostin is vastly more distant from Tarsk and Hodgson’s than from Arieka. But in the immer, Dagostin to Tarsk is a few hundred hours on a prevailing wind; Hodgson’s is in the centre of sedate and crowded deeps; and Arieka is very far from anything.
It’s beyond a convulsion where violent streams of immer roll against each other, where there are shallows, dangerous juts and matterbanks of everyday space in the always. It sits alone at the edge of known immer, so far as the immer can be