require the equivalent energy of a thousand-megaton explosion. Looking at Bujak, you could believe this. As for me, well, a single stick of TNT might do the job—a hand grenade, a firecracker. In his physical dealings with me (you know, the way someone moves across a room toward you, this can be a physical event) he showed the tender condescension that the big man shows to the small. Probably he was like that with everyone. He was protective. And then, to good Bujak, thoughtful, grinning Bujak, the worst thing happened. A personal holocaust. In the days that followed I saw and felt all of Bujak’s violence.
His life went deep into the century. Warrior caste, he fought in Warsaw in 1939. He lost his father and two brothers at Katyn. He was in the resistance—all his life he was in the resistance. In that capacity he visited (and this is a story of violence, of visitation) many neat tortures on Nazi collaborators. He rose up with the Armia Kraiova and was imprisoned in December 1944. During the postwar years he worked in a touring circus, a strongman, bending bars, butting brick walls, tugging trucks with his teeth. In 1956, the year of my birth, he was there for the Polish October, and for the November in “Hungaria.” Then the United States, the halls, queues, and cubicles of Ellis Island, with wife, mother, small daughter. His wife Monika was hospitalized in New York for a minor condition; she came down with a hospital supergerm and died overnight. Bujak worked as a longshoreman in Fort Lauderdale. He took and gave many crunchy beatings—strikebreakers, mob men, union goons. But he prospered, as you’re meant to do, in America. What brought him to England, I think, was a certain kind of (displaced) Polish nostalgia or snobbery, and a desire for peace. Bujak had lived the twentieth century. And then, one day, the twentieth century, a century like no other, came calling on him. Bookish Bujak himself, I’m sure, saw the calamity as in some sense postnuclear, Einsteinian. It was certainly the end of his existing universe. Yes, it was Bujak’s Big Crunch.
I first met Bujak one wintry morning in the late spring of 1980—or of PN 35, if you use the postnuclear calendar that he sometimes favored. Michiko’s car had something wrong with it, as usual (a flat, on this occasion), and I was down on the street grappling with the burglar tools and the spare. Compact and silent, Michiko watched me sadly. I’d managed to loosen the nuts on the collapsed wheel, but the aperture for the jack was ominously soft and sticky with rust. The long-suffering little car received the vertical spear in its chassis and stayed stoically earthbound. Now I have to say that I am already on very bad terms with the inanimate world. Even when making a cup of coffee or changing a light bulb (or a fuse!), I think—What is it with objects? Why are they so aggressive? What’s their beef with me? Objects and I, we can’t go on like this. We must work out a compromise, a freeze, before one of us does something rash. I’ve got to meet with their people and hammer out a deal.
“Stop it, Sam,” said Michiko.
“Get a real car,” I told her.
“Please, just stop. Stop it! I’ll call a towtruck or something.”
“Get a real car,” I said and thought—yeah, or a real boyfriend. Anyway, I was throwing the tools into their pouch, dusting my palms and wiping away my tears when I saw Bujak pacing across the road toward us. Warily I monitored his approach. I had seen this hulking Bohunk or throwback Polack from my study window, busying himself down on the street, always ready to flex his primitive can-do and know-how. I wasn’t pleased to see him. I have enough of the standard-issue paranoia, or I did then. Now I’ve grown up a little and realize that I have absolutely nothing to fear, except the end of the world. Along with everybody else. At least in the next war there won’t be any special wimps, punchbags, or unpopularity contests. Genocide has