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the bloodletter horde, but cannot stop it. Our blunt spearhead collides with the foaming tide. We shove our way through the daemonic host for a dozen metres before their numbers threaten to swamp us once again. I snap the shield back to full strength, giving us space and a chance to regroup. When Albinus gives me the signal, I pull back into my physical self, and we move forwards.
    This is how we advance. It is our only way, a painfully slow stutter of stops and starts. We travel thousands of metres in this manner. The tally of our slaughter lengthens with every step, and every butchered daemon, every act of wrath, is another drop of psychic plasma for the Eclipse of Hope ’s unholy engines. Our journey through the ship will be the path of our damnation if I am wrong about what I will find in the librarium.
    We wend our way deep into the heart of the ship. The repository of archives, history and knowledge is not in a spire, as it is on the Crimson Exhortation . Rather, it waits on the lowest deck, a few hundred metres fore of the enginarium. To guide us there, I follow rip tides of the warp. The phantom is awake and blazing with power. It cannot hide the patterns of its own identity now, any more than a human could will away the whorls of fingerprints. By acting against us, the Eclipse of Hope exposes itself to my scrutiny and my judgement.
    We reach the librarium. A massive iron door bars our passage. Its relief work is an allegory of dangerous knowledge. It announces what lies in the chambers beyond, and it warns the uninitiated away. Tormented human figures fall in worship or agony before immense tomes. Daemons are not represented in the art – no Imperial ship would sully itself with such an image. Instead, the danger is depicted as twisting vines and abstract lines that tangle and pierce the figures. The risks that lurked in the archives of the original librarium must be merely the shadows of what awaits now. On the other side of the door lies the consciousness of the ship. I can feel the pulse of its fevered thoughts beating through the walls. The rhythm matches that of the drums, still pounding and echoing through the defiled corridors. Are the thoughts the source of the daemonic march, or does the music come from a darker place and a greater master, shaping the mind of the ghost? I have no answer. All I need is the destruction of both.
    Is that all I desire? No. It is not. But desire is a treacherous master.
    ‘Albinus,’ I manage, the shield still at full strength.
    ‘Chief Librarian?’
    ‘I will need Stolas.’ The strength in that chamber will be massive. We must hit it with all the power we possess.
    ‘We will stand and hold,’ Phenex says.
    ‘For Sanguinius and the Emperor,’ Gamigin adds.
    The wedge formation faces down the corridor. My fellow Blood Angels have their backs to the door. Once Stolas and I cross that threshold, their only defences will be physical. It will be enough. They will hold back the ocean of Chaos with bolter and blade for as long as Stolas and I require to triumph or fall.
    I lower the shield. I grasp the ornate bronze handle of the door. When I pull, I encounter, to my surprise, no resistance. Is this surrender? I wonder. Or perhaps the ship is marshalling its resources for the true fight about to begin. No matter. Stolas and I enter the librarium. The door swings shut behind us. The boom of iron against stone has a different quality to it than the sounds in the corridor. It takes me a moment to identify what has changed. The answer comes as I take in the sights of the librarium.
    This chamber, and this chamber alone, is real.
    Stolas and I move through a vast cavern of damned scholarship. We are funnelled along a path between towering stacks of scrolls, parchments and tomes. The path takes us towards an open space at the heart of the chamber. This is not a recreated memory. This is not a product of the warp, or at least, not in the same sense as the rest of the ship. The