the Wild West,â she said.
âI guess,â he said back. âA million people trained first and foremost to do what needed doing. The rules came afterward.â
âLike the Wild West,â she said again. âI think you liked it.â
He nodded. âSome of it.â
She paused. âMay I ask you a personal question?â
âGo ahead,â he said.
âWhatâs your name?â
âReacher,â he said.
âIs that your first name? Or your last?â
âPeople just call me Reacher,â he said.
She paused again. âMay I ask you another personal question?â
He nodded.
âHave you killed people, Reacher? In the army?â
He nodded again. âSome.â
âThatâs what the army is all about, fundamentally, isnât it?â she said.
âI guess so,â he said. âFundamentally.â
She went quiet again. Like she was struggling with a decision.
âThereâs a museum in Pecos,â she said. âA real Wild West museum. Itâs partly in an old saloon, and partly in the old hotel next door. Out back is the site of Clay Allisonâs grave. You ever heard of Clay Allison?â
Reacher shook his head.
âThey called him the Gentleman Gunfighter,â she said. âHe retired, actually, but then he fell under the wheels of a grain cart and he died from his injuries. They buried him there. Thereâs a nice headstone, with âRobert Clay Allison, 1840â1887â on it. Iâve seen it. And an inscription. The inscription says, âHe never killed a man that did not need killing.â What do you think of that?â
âI think itâs a fine inscription,â Reacher said.
âThereâs an old newspaper, too,â she said. âIn a glass case. From Kansas City, I think, with his obituary in it. It says, âCertain it is that many of his stern deeds were for the right as he understood that right to be.ââ
The Cadillac sped on south.
âA fine obituary,â Reacher said.
âYou think so?â
He nodded. âAs good as you can get, probably.â
âWould you like an obituary like that?â
âWell, not just yet,â Reacher said.
She smiled again, apologetically.
âNo,â she said. âI guess not. But do you think you would like to qualify for an obituary like that? I mean, eventually?â
âI can think of worse things,â he said.
She said nothing.
âYou want to tell me where this is heading?â he asked.
âThis road?â she said, nervously.
âNo, this conversation.â
She drove on for a spell, and then she lifted her foot off the gas pedal and coasted. The car slowed and she pulled off onto the dusty shoulder. The shoulder fell away into a dry irrigation ditch and it put the car at a crazy angle, tilted way down on his side. She put the transmission in park with a small delicate motion of her wrist, and she left the engine idling and the air roaring.
âMy name is Carmen Greer,â she said. âAnd I need your help.â
2
âIt wasnât an accident I picked you up, you know,â Carmen Greer said.
Reacherâs back was pressed against his door. The Cadillac was listing like a sinking ship, canted hard over on the shoulder. The slippery leather seat gave him no leverage to struggle upright. The woman had one hand on the wheel and the other on his seat back, propping herself above him. Her face was a foot away. It was unreadable. She was looking past him, out at the dust of the ditch.
âYou going to be able to drive off this slope?â he asked.
She glanced back and up at the blacktop. Its rough surface was shimmering with heat, about level with the base of her window.
âI think so,â she said. âI hope so.â
âI hope so, too,â he said.
She just stared at him.
âSo why did you pick me up?â he asked.
âWhy do you