She wanders over to the shelves again and looks at the wizened, upside-down crow hanging from a nail on the upper shelf. âWhatâs that for?â she asks.
Fleet, who is scooping the powder into the cloth, seems to hesitate for a second. âFor sores,â he says, frowning, his eyes still on his work. âFeathers plucked from the bird are arranged on the affected area. It usually heals very well.â
His discomfort makes him seem mysterious again. Gabrielle thinks about the man ducking out of sight in the punt; she imagines she was at closer quarters and gives the boatman Fleetâs features.
Could it have been him
?
She saunters up to the counter. âWhy would I need an apothecary for birdâs feathers?â she ventures. âI could collect them myself, couldnât I?â
âBut you wouldnât know to, would you?â he replies. Smiling slightly, he bunches up the corners of the bag and begins to tie it. âItâs the knowledge people come to me for, not the ingredients. Nature wouldnât hide its cures in obscure cocktails anyway. Itâs all around. You just have to know what works.â
She watches the veins on the back in his hands as he ties the bag. He has nice hands, she thinks, nimble and sensitive and, like his face, very pale.
âYou are not orthodox, Mr. Fleet. Is that not dangerous?â She leans with her elbow on the counter and her chin in her palm. Fleet finishes tying the bag and leaves it on the counter for the moment.
âWhoâs to say whatâs dangerous?â he says. âTomorrow danger and safety may change places. The world may be tipped upside down.â
âYouâre talking of religion and war. I am still quite new to England, but I have heard of such things.â
âThere may be dangerous years ahead,â he says softly. He picks up the bag and hands it to Gabrielle.
Gabrielle takes her elbow from the counter and stands up straight. She takes the bag in her open palm.
âHow much?â she asks.
âA shilling.â
âIt was a shilling last time, but this is more.â
âBut youâre a repeat customer now,â he replies softly. âI can rely on you.â
Gabrielle stares at Fleetâs brown eyes, and she feels a curious sensation radiate from her belly to her fingers and toes. For some reason this man seems closer to her than he logically should.
âGive it all to him and come back tomorrow.â
Gabrielle holds onto Fleetâs gaze for a moment longer. Then she turns, smiles at him hesitantly and hurries away.
When Gabrielle enters the room, the Marquis is propped up on the pillow.
âMy lord!â Gabrielle exclaims, running up to the bed. âYou are getting better!â
But already her voice trails off a little. His face is full of anxiety, not joy, and his eyes are red as though he has been in pain.
âBut what is it?â she asks, leaning over him.
âI have to go to Newfoundland.â
âWhat!â Gabrielle exclaims, laughing. Then, seeing the pain and worry in the old manâs eyes, she stops. âBut, my lord,â she says, turning now and sitting on the corner of the bed, âyou cannot travel again, and not so far!â
The Marquis gasps for breath as though just holding himself together. âI must,â he stutters, his face reddening. âI must find my son!â His lips quiver alarmingly, and Gabrielle eases closer. âI lost him,â he splutters. âA half-caste boy without money or protection.â
Gabrielle has never laid her hands on the Marquis before except to move him, but now her arms gently enfold his head. She feels its weight drop like a cannonball into her breast. She strokes his thin white hair and pink scalp. The sobs are stifled at first, but gradually, as the Marquisâs pink, swollen hands grope for her shoulders and take hold, he starts to let himself go. A loud wail rises like a