back and forth. He had a sudden urge to strip down and plunge in, relieve himself of all the oils and stinks of the road and the lingering funk of the sleeping bag, but he didnât know anybody here and he was tentative yetâwhat he needed to do, before he got caught up in the rhythms of the place, was to decide where he was going to sleep for the night at least, and maybe beyond. Norm had pointed out a pile of scrap lumber behind one of the outbuildings as they came up the roadââBuild,â heâd shouted over the radio, âgo ahead, build to suit, and Iâm not going to be a policeman, Iâm not going to be mayor, you do what you wantââand Marco thought he might have a look at it, to see what he might do. He wasnât exactly a master carpenter, but he was good enough, and aside from a couple of days on a construction crew in San Jose, he hadnât done any real labor in weeks. Why not? he was thinking. Even if he didnât stay, it was a way to pass the time.
He left his rucksack and guitar under one of the big snaking oaks in the front yard, then strolled back up the road to inspect the lumber. It wasnât much. A nest of two-by-fours weathered white, acouple of sheets of warped plywood, some odds and ends, most of it charred, and you didnât have to be Sherlock Holmes to see that Drop City had lost at least one dwelling to fire. He was separating the good stuff from the bad when a man in his early twenties came rolling out of the high grass on lubricated hips, walking as if he was dancing, his head too big and his feet too small. âWhatâs happening?â the man said, bobbing up to him, and Marco saw that he was balancing a spinning rod in one hand and a stringer of undersized smallmouth bass in the other. His eyes were glassy and fragile, as if heâd just shuffled out the doors at the very end of a very long concert. What else? Deep tan, choker beads, cutoffs, huaraches, the worldâs sparsest beard.
Marco nodded, and gave back the tribal greeting: âWhatâs happening?â
The man stood there studying him a minute, the faintest look of amusement on his face. âIâm Pan,â he said, âor Ronnie, actually, but everybody calls me Pan . . . and youâreâ?â
âMarco.â
âCool. Going to build?â
âI guess so.â
Ronnie frowned, rotating the toe of one sandal in the dirt. âWith this shit?â
âFrom humble beginnings,â Marco said, and he said it with a smile. âHey, Thoreau paid something like twenty-eight dollars for his place on Walden Pond, and that was good enough to get him through a New England winterââ
âYeah,â Ronnie said, âbut prices have gone crazy since then, right?â
âRight. This stuff is free. Talk about deflation, huh?â
But Ronnie didnât seem to get the joke. He stood there a long while, watching Marco bend to the pile of mismatched lumber, the fish already stiffening on the stringer. It was hot. A flock of crows sent up a jeer from somewhere off in the woods. âSo what you building, anyway?â Ronnie asked finally.
It came to him then, and it took the question to elicit the response,because until that moment there was no shape before him. He saw the oak tree suddenly, the spread and penetrant shade of it, roots like claws, acorns, leaf litter, and beneath it, his guitar and rucksack propped casually against the trunk. He dropped a board at his feet.
âA treehouse,â he said.
3
Pan was taking the day off. Pan was just going to stroke his shaggy fetlocks and blow on his pipes and mellow out, no sex todayâhe was rubbed raw from itâand no hassles, not with Merry, not with Lydia, not with Star. Not today. The morning had already been a kind of nightmare, nine A . M . and crawling up off the mattress in the front bedroom with a taste like warmed-over shit in the back of his throat,