everywhere, from the air, from guns, shells falling on all beneath them, the aerial machines pausing in their rain of death below only to shoot each other down. Patterns above the ditches, like vines, curling vines covered with thorns—over all a pattern formed on my retina—always the incessant chatter of machinery, screams, fire, death-agonies, men stomping each other in mud and earth. I could see it all, hear it all, above all else, smell it all, Jules, and . . .”
“Yes?”
“Jules, it was the most beautiful thing I have ever experienced.” He stared at his roommate.
“There’s some cold mutton on the table,” said Jules. “And half a bottle of beer. He looked back down at his paper. After a few minutes he looked up. Norpois stood, looking out the window at the last glow of twilight, still smiling.
VIII. One Ordinary Day, with Anarchists
A LFRED JARRY SAILED ALONG THE BOULEVARD, passing people and other cyclists right and left. Two and a half meters up, he bent over his handlebars, his cap at a rakish angle, his hair a black flame behind his head. He was the very essence of speed and grace, no longer a dwarfish man of slight build. A novice rider on a safety bicycle took a spill ahead of him. Jarry used his spoon-brake to stop a few centimeters short of the wide-eyed man who feared broken ribs, death, a mangled vehicle.
Then Jarry jumped up and down on his seat, his feet on the locked pedals, jerking the ordinary in small jumps a meter to the left until his path was clear; then he was gone down the road as if nothing had happened.
Riders who drew even with him dropped back—Jarry had a carbine slung across his back, carried bandoliers of cartridges for it on his chest, had two Colt pistols sticking from the waistband of his pants, the legs of which were tucked into his socks, knicker-fashion. Jarry was fond of saying firearms, openly displayed, were signs of peaceableness and good intentions, and wholly legal. He turned down a side street and did not hear the noise from the Chamber of Deputies.
* * *
A man named Vaillant, out of work, with a wife and children, at the end of his tether, had gone to the Chamber carrying with him a huge sandwich made from a whole loaf of bread. He sat quietly watching a debate on taxes, opened the sandwich to reveal a device made of five sticks of the new dynamite, a fuse and blasting cap, covered with one and a half kilos of #4 nails. He lit it in one smooth motion, jumped to the edge of the gallery balcony and tossed it high into the air.
It arced, stopped, and fell directly toward the center of the Chamber. Some heard the commotion, some saw it; Dreyfussards sensed it and ducked.
It exploded six meters in the air.
Three people were killed, forty-seven injured badly, more than seventy less so. Desks were demolished; the speaker’s rostrum was turned to wood lace.
Vaillant was grabbed by alert security guards.
The first thing that happened, while people moaned and crawled out from under their splintered desks, was that the eight elected to the Chamber of Deputies on the Anarchist ticket, some of them having to pull nails from their hands and cheeks to do so, stood and began to applaud loudly. “Bravo!” they yelled, “Bravo! Encore!”
IX. The Kid from Spain
H IS NAME WAS PABLO, and he was a big-nosed, big-eyed Spanish kid who had first come to Paris with his mother two years before at the age of thirteen; now he was back on his own as an art student.
On this trip, the first thing he learned to do was fuck; the second was to learn to paint.
One day a neighbor pointed out to him the figure of Jarry tearing down the street. Pablo thought the tiny man on the huge bicycle, covered with guns and bullets, was the most romantic thing he had ever seen in his life. Pablo immediately went out and bought a pistol, a .22 single-shot, and took to wearing it in his belt.
He was sketching the River one morning when the shadow of a huge wheel fell on the ground beside
Lynsay Sands, Hannah Howell