ivory envelope, and, thrusting his hands into his pockets, walks to thewindow. He looks out over the ink-black river toward the hushed lights of the city.
I set my tea down and pull out a creamy card engraved in silvery-blue ink.
Charlotte Violaine Lorieux et Ambrose Bates
ont la joie de vous faire part de leur mariage
le samedi 28 mai
A lâéglise de la Sainte-Chapelle, Paris
So Ambrose and Charlotte are getting marriedâI check the dateâexactly three months after our epic battle with the numa. The battle Ambrose had to miss because of a wound suffered in a skirmish, just hours before. And the battle where I helped Kate drag Charlotteâs dead body to the side of the arena so that it wouldnât be scooped up by numa and burned.
I knew, of course, of their newly kindled love. Gaspard has sent me one letter per weekâhandwritten and mailed through the postâupdating me on the goings-on of the Paris kindred.
And Ambrose phoned me once on the cell phone I was issued by my new kindred. He told me he had proposed. That Charlotte had accepted. Of course. Any idiot except Ambrose would have known sheâs been in love with him for decades. But for Ambrose this love was a revelation, and the more he talked about it, the wider the pit inside me grew, its emptiness swallowing all my words until finally he just told me he loved me and that they all missed me, and he hung up.
I never wanted love. Until Kate. And now it eats at me from inside, reminding me of how stupid Iâve been. How shallow. All that time wasted, when I could have been happy like Ambrose and Charlotte. Like Vincent and Kate. But what if Kate was the one? Sheâs the only girl who has ever made me long for permanence. What if she was the one, and I could have done more to let her know? What if I had been honest sooner?
No, she and Vincent were made for each other. That much is clear. Iâm just cursed to want what is not meant to be. But damn my heart for switching onâfinallyâfor the wrong person. Now it is an open door, standing wide for nothing . . . for no one . . . and I donât know how to close it again.
I look up and see that Gold is waiting for a response. âUm, no. I donât really think Iâll make it to the wedding. Too soon. And Iâve got my work here.â
âWrong answer,â says Gold. He looks back out the window at his city, before ambling back to me, authority radiating from him. This is his world, and has been for more than a century. Iâm just a blip on his radar. Passing through.
âWe need you to go.â
âWhat?â I exclaim. âWhatâs that supposed to mean? If you want to go to the wedding, Iâm sure the bride and groom wouldnât mind if you took my place.â
Gold looks back at me, the picture of patience. âWhen you joined us, you agreed to work for the good of the clan. No one can deny the fact that youâve been doing more than your share of patrolling. But we have other jobs that need to be done, and inthis case, youâre the one to do it.â
FIVE
I STAND FROZEN IN DISBELIEF WHILE GOLD PICKS up my jacket and throws it at me. âHere, letâs walk, and Iâll explain along the way.â He plucks the invitation from my hand and pockets it, while I reach to grab my weapon belt.
âYou wonât need that,â he says dismissively. âWeâre not patrolling.â
âYou never know,â I say, and put it on anyway, slipping a short-sword into the holster before shrugging on the leather jacket, which is cut long enough to hide steel. I leave my gun on the table. I carry it when I need to but donât enjoy how it feels: Thereâs something dead about it, unlike the almost-living vibration a sword emits.
We walk out of the Warehouse into a breezy May night, the midnight moon scattering disks of gold on the surface of the wind-rippled water. Heading away from the
R. C. Farrington, Jason Farrington