gratitude to nature and a thrill of surprise, that the violence and the sweetness of my nightly joys were being raised to an exquisite vertex owing to a certain aberration which, I understand, is not as uncommon as I thought at first among high-strung men in their middle thirties. I am referring to a well-known kind of “dissociation.” With me it started in fragmentary fashion a few months before my trip to Prague. For example, I would be in bed with Lydia, winding up the brief series of preparatory caresses she was supposed to be entitled to, when all at once I would become aware that imp Split had taken over. My face was buried in the folds of her neck, her legs had started to clamp me, the ashtray toppled off the bed table, the universe followed—but at the same time, incomprehensibly and delightfully, I was standing naked in the middle of the room, one hand resting on the back of the chair where she had left her stockings and panties. The sensation of being in two places at once gave me an extraordinary kick; but this was nothing compared to later developments. In my impatience to split I would bundle Lydia to bed as soon as we had finished supper. The dissociation had now reached its perfect phase. I sat in an armchair half a dozen paces away from the bed upon which Lydia had been properly placed and distributed. From my magical point of vantage I watched the ripples running and plunging along my muscular back, in the laboratorial light of a strong bed-lamp that picked out a mother-of-pearl glint in the pink of her knees and a bronze gleamin her hair spread on the pillow—which were about the only bits of her I could see while that big back of mine had not yet slid off to prop up again its panting front half in the audience. The next phase came when I realized that the greater the interval between my two selves the more I was ecstasied; therefore I used to sit every night a few inches farther from the bed, and soon the back legs of my chair reached the threshold of the open door. Eventually I found myself sitting in the parlor—while making love in the bedroom. It was not enough. I longed to discover some means to remove myself at least a hundred yards from the lighted stage where I performed; I longed to contemplate that bedroom scene from some remote upper gallery in a blue mist under the swimming allegories of the starry vault; to watch a small but distinct and very active couple through opera glasses, field glasses, a tremendous telescope, or optical instruments of yet unknown power that would grow larger in proportion to my increasing rapture. Actually, I never got farther back than the console in the parlor, and even so found my view of the bed cut off by the doorjamb unless I opened the wardrobe in the bedroom to have the bed reflected in the oblique speculum or
spiegel
. Alas, one April night, with the harps of rain aphrodisiacally burbling in the orchestra, as I was sitting at my maximum distance of fifteen rows of seats and looking forward to an especially good show—which, indeed, had already started, with my acting self in colossal form and most inventive—from the distant bed, where I thought I was, came Lydia’s yawn and voice stupidly saying that if I were not yet coming to bed, I might bring her the red book she had left in the parlor. It lay, in fact, on the console near my chair, and rather than bring it I threw it bedward with a windmill flapping of pages. This strange and awful jolt broke the spell.I was like an insular species of bird that has lost the knack of rising into the air and, like the penguin, flies only in its sleep. I tried hard to recapture the split, and perhaps would have at last succeeded, had not a new and wonderful obsession obliterated in me all desire to resume those amusing but rather banal experiments.
Otherwise, my connubial bliss was complete. She loved me without reservations, without retrospection; her devotion seemed part of her nature. I do not know why I have
Elizabeth Amelia Barrington