Death Match Read Online Free PDF Page B

kitchen; to his left, what looked like a couple of bedrooms. Lash dropped his envelopes on the sofa and walked down as far as the kitchen. It was as well appointed as the living room. There was another door here, with a view of the narrow side yard and the neighboring house.
    Lash moved back up the hallway in the direction of the bedrooms. There was a nursery, all blue taffeta and lace; a master bedroom, its night tables littered with a typical assortment of paperback novels, medicine bottles, and television remotes; and a third room, which was apparently a guest room doubling as a study. He paused at this last room, looking around curiously. Japanese woodblock prints of thinnest rice paper decorated the walls. On a desk sat several framed photographs: Lewis and Lindsay Thorpe, arm in arm in front of a pagoda; the Thorpes again, standing on what looked like the Champs-Elysées. In each photo, the couple was smiling. He’d seen smiles like that before, rarely: simple, unfeigned, undiluted happiness.
    He moved to the far wall, which was completely taken up by bookshelves. The Thorpes had been eclectic, voracious readers. Two upper shelves were completely taken up with textbooks in varying degrees of decrepitude; another with trade journals. Below these were several shelves of fiction.
    One shelf in particular caught Lash’s eye. The books here seemed to be given preferential treatment, bookended by statues of carven jade. He glanced over the titles:
Zen and the Art of Archery, Advanced Japanese, Two Hundred Poems of the Early T’Ang
. The shelf above it was empty except for an unframed picture of Lindsay Thorpe riding a merry-go-round, surrounded by children, laughing as she stretched her arm toward the camera. He picked it up. On the back had been scrawled, in a masculine hand:
     
    I wish I were close
To you as the wet skirt of
A salt girl to her body.
I think of you always.
     
    He carefully replaced the photo, exited the study, and returned to the living room.
    Outside, the morning mist was quickly burning off, and slanted bars of sunlight now lay across the silk rugs. Lash moved to the leather sofa, pushed the envelopes aside, and sat down. He’d done this many times before, as an agent with the Investigative Support Unit: gone through a house, trying to get a feel for the pathology of its occupants. But that had been very different. He’d been doing criminal personality profiles for NCACP, studying the personal hells of mass murderers, serial rapists, “blitz” attackers, sociopaths. People, and houses, who had absolutely nothing in common with the Thorpes.
    He’d come here in search of clues to what had gone wrong. Over the last three days, he had performed what clinicians referred to as a psychological autopsy, conducting discreet interviews with family members, friends, doctors, even a minister. And what had at first seemed like an easy case formulation quickly turned otherwise. There were none of the stressors, the risk factors, normally associated with suicide. No history of prior attempts. No history of psychiatric disorders. Nothing that should have triggered one, let alone two, suicides. On the contrary, the Thorpes had everything to live for. And yet, in this very room, they had written a note, tied dry cleaning bags around their heads, embraced on the carpet, and asphyxiated themselves in front of their infant girl.
    Lash pulled one of the two envelopes toward him, ripped it open with the edge of a finger, and dumped the contents onto the couch: documentary evidence compiled by the Flagstaff police. There was a thin packet of glossy photographs held together with a clip, and he leafed through them—scene-of-crime photos of the husband and wife, together in death, rigid on the beautiful carpet. He put down the eight-by-tens and picked up a photocopy of the suicide note. It read simply, “Please look after our daughter.”
    A thicker document lay nearby: the official police incident report. Lash turned