go out with guys sometimes. But mostly in a gang from the office, you know? There's nobody special, not at the moment."
"Did you ever have anybody special?"
Jane Becker suddenly coughed, and coughed again, and reached over for a glass of water. When she had recovered, she said, "I don't understand the question. I mean, what does that have to do with my being attacked?"
"Jane-it's only background. It helps me to visualize the man who stabbed you in the same way that you do. You perceived him with your emotions, with who you are, as well as your eyes."
"Can't I just describe him to you?"
"I'm sorry," said Molly. "I didn't mean to upset you. Sure-let's get down to business and see if we can't bring this guy to life."
She folded back the first page of her sketchbook and picked out a soft sepia crayon. "What struck you about him the most? I mean-if you had to describe him to me in three words, what would you say?"
"His face. He had such a bright-red face. It was so red, it was practically scarlet. It was like he was badly sunburned, or maybe he'd been drinking. And he had eyes like slits, and a mouth like a slit, too. It was almost like he was wearing a red mask."
"Do you think he could have been wearing a mask?"
"Oh, no. That was his real face. But it was just so red."
"Did you smell alcohol on his breath?"
"No. But he did have a smell… It was kind of sour, and burned. Like burned hair."
"Okay…he had a red face and eyes like slits. Could you take a guess at his ethnic origin? Did he look Oriental, maybe? Or Native American?" Molly's pencil was already at work, and the man's disembodied eyes were peering up at her from the page, as if they were emerging from another dimension.
"I don't know what he was. He looked dangerous, that's all. You ever see men like that? They're all full of tension, like those pit bull terriers, you know?"
"Okay…how tall would you say he was?"
"At least six feet. Six feet two. Maybe a little over."
"And how was he built?"
"Heavy, with very broad shoulders. And a thick neck. And the way he stood. Even that was threatening. Kind of leaning toward me, as if he was itching to be let off the leash."
"How would you describe the shape of his face? Oval, round, or squarish?"
"Squarish. Definitely squarish. And his forehead was kind of slabby."
"How about his nose?"
Jane Becker closed her eyes. Molly waited for her with her crayon poised over her sketchbook, saying nothing. She knew that Jane Becker could see her attacker's face as clearly as if he were standing right in front of her, and she didn't want to interrupt that moment of intense visualization. She wished only that she could share it.
"Jane?" she coaxed her. "His nose? Was it a long nose or a snubby nose? Getting the nose right-that's real important. If you think of the way that cartoonists draw people-they always exaggerate their noses."
Jane Becker opened her eyes again. "I don't want to make a mistake, that's all. I was so freaked out when he was stabbing that poor man. But what if they arrest somebody and it wasn't him?"
"Jane, seriously, that's down to me. I'm the forensic artist, it's my responsibility to get it right."
Jane Becker hesitated for a moment longer, and then she said, "Okay, then, his nose was pointed, with kind of a bump in it. And he had very high cheekbones. And a big chin, with a cleft in it. I remember that. A really deep cleft."
Molly's pencil made the softest of chuffing noises as she shaded and filled and structured, and the perpetrator gradually began to materialize in front of her, as if he were coming toward her through a hazy white fog.
"What was his hair like?" she asked.
"Reddish…reddish, but turning gray. And cut very short. Bristly."
Molly took out her box of pastel colors and went on sketching and shading for a few moments more. A red face, with touches of green and blue to give it depth and emphasis.
"You didn't see what color his eyes were?"
"Like I say, they were slits. All I
"Did you ever have anybody special?"
Jane Becker suddenly coughed, and coughed again, and reached over for a glass of water. When she had recovered, she said, "I don't understand the question. I mean, what does that have to do with my being attacked?"
"Jane-it's only background. It helps me to visualize the man who stabbed you in the same way that you do. You perceived him with your emotions, with who you are, as well as your eyes."
"Can't I just describe him to you?"
"I'm sorry," said Molly. "I didn't mean to upset you. Sure-let's get down to business and see if we can't bring this guy to life."
She folded back the first page of her sketchbook and picked out a soft sepia crayon. "What struck you about him the most? I mean-if you had to describe him to me in three words, what would you say?"
"His face. He had such a bright-red face. It was so red, it was practically scarlet. It was like he was badly sunburned, or maybe he'd been drinking. And he had eyes like slits, and a mouth like a slit, too. It was almost like he was wearing a red mask."
"Do you think he could have been wearing a mask?"
"Oh, no. That was his real face. But it was just so red."
"Did you smell alcohol on his breath?"
"No. But he did have a smell… It was kind of sour, and burned. Like burned hair."
"Okay…he had a red face and eyes like slits. Could you take a guess at his ethnic origin? Did he look Oriental, maybe? Or Native American?" Molly's pencil was already at work, and the man's disembodied eyes were peering up at her from the page, as if they were emerging from another dimension.
"I don't know what he was. He looked dangerous, that's all. You ever see men like that? They're all full of tension, like those pit bull terriers, you know?"
"Okay…how tall would you say he was?"
"At least six feet. Six feet two. Maybe a little over."
"And how was he built?"
"Heavy, with very broad shoulders. And a thick neck. And the way he stood. Even that was threatening. Kind of leaning toward me, as if he was itching to be let off the leash."
"How would you describe the shape of his face? Oval, round, or squarish?"
"Squarish. Definitely squarish. And his forehead was kind of slabby."
"How about his nose?"
Jane Becker closed her eyes. Molly waited for her with her crayon poised over her sketchbook, saying nothing. She knew that Jane Becker could see her attacker's face as clearly as if he were standing right in front of her, and she didn't want to interrupt that moment of intense visualization. She wished only that she could share it.
"Jane?" she coaxed her. "His nose? Was it a long nose or a snubby nose? Getting the nose right-that's real important. If you think of the way that cartoonists draw people-they always exaggerate their noses."
Jane Becker opened her eyes again. "I don't want to make a mistake, that's all. I was so freaked out when he was stabbing that poor man. But what if they arrest somebody and it wasn't him?"
"Jane, seriously, that's down to me. I'm the forensic artist, it's my responsibility to get it right."
Jane Becker hesitated for a moment longer, and then she said, "Okay, then, his nose was pointed, with kind of a bump in it. And he had very high cheekbones. And a big chin, with a cleft in it. I remember that. A really deep cleft."
Molly's pencil made the softest of chuffing noises as she shaded and filled and structured, and the perpetrator gradually began to materialize in front of her, as if he were coming toward her through a hazy white fog.
"What was his hair like?" she asked.
"Reddish…reddish, but turning gray. And cut very short. Bristly."
Molly took out her box of pastel colors and went on sketching and shading for a few moments more. A red face, with touches of green and blue to give it depth and emphasis.
"You didn't see what color his eyes were?"
"Like I say, they were slits. All I
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