of the camera. âYeah, thatâs right,â he muttered in answer to some inane question she asked. He hurried up the steps, easing along the wall so the secondary video wouldnât catch the movement.
When he knocked, the door creaked open, offering just a slice of light in the shadowed area under the receiving dockâs canopy.
âHey, handsome,â Inez gushed, swinging the door wide. He saw her frown at his shoes, so he swept her into his arms, tugging the heavy door shut behind him, making sure only the back of his head and jacket were visible to the inner door camera.
âHey, baby,â he crooned, kissing her and grabbing her ass. He boosted her up into his arms and she wrapped her legs around his waist. With her clinging to him, he moved quickly down the hall. His body reacted to her sensuality and the kisses she pressed to his neck. It was a pity he didnât have time for sex. She was young, enthusiastic, and flexible. At least screwing her had been a bonus rather than a chore, although heâd have done it, no matter what.
âHey,â she giggled. âWhat took you so long? Theyâve been gone awhile.â
âI know. Trouble parking,â he lied, swinging open the door to Carrie McCrayâs office with his hip. It was good to be in the cramped space, where no cameras peered. He set her on the desk, had her blouse open in a moment, her bra unhooked. She laughed, pulling his head to her for a kiss.
âYouâre in a hurry,â she moaned throatily, then frowned again, noting the gloves on his hands.
It really was too bad. She noticed the little things, lots of little things. It was a shame she was so smart.
He distracted her by flipping up her skirt, fondling her so that she closed her eyes and let her head fall back. Heâd counted on that. It was a studied move on her part, designed to make a man feel like he was doing a good job. Every time he touched her below her waist, she did that very move with the head toss and the closed eyes. He grinned, hating that he really didnât have time for a quick fuck.
Too bad.
He eased the long, thin, sharpened palette knife out of his pocket with one hand, keeping her busy with the other.
She was so focused she didnât flinch as he slipped the knife easily between her ribs, hitting the heart in one stroke. One twist opened the wound more, ensuring the incision was lethal. It was a poetic move, he thought, to kill her with an artistâs implement.
Her eyes flew open and her head jerked forward, once. To his delight, he saw the betrayal, the shock in her eyes as they dimmed in death.
How very satisfying. Even a bit ... arousing.
He let her body fall backward and to the side. The blood was oozing around the handle of the blade now and he wanted to be sure he wasnât marked by it. He switched on the desk light, looking at the gloves under the bright white light. Good, no blood, even on the gloves.
âThe nice thing about hitting the heart the first time,â he told the dead girl, âis that if you do it right, and position the body correctly, the blood all pumps into the body cavity.â He remembered the first time he heard the words, delivered in a highly accented voice from his mercenary captain. âYou still die,â he observed, speaking to the dead as he hooked the desk chair with his foot to pull it over, prop her feet on it so her body wouldnât fall onto the floor. âHowever, you donât get blood all over your killer. Bad for you, good for me.â
With a quick twist, he gathered her blouse in one hand and used it to turn her body to its side, leaving the knife in the wound like a cork. All the blood would now pool inside the body until the cops turned her onto her back.
âLovely. Just lovely,â he said, patting her hip with both affection and care. Heâd had a good time with her, but he didnât want to dislodge the weapon or mar his handiwork.
Jonathan Littell, Charlotte Mandell