helmet into a recharging base. He snapped his weapons propâwhich, in his VR display, had been a Steyr TMP, Parker Hale rifle, and naginata âinto tongs on the wall.
He gazed up at the control roomâs window, two stories above the Voidâs floor. Ian sat at a control panel, punching buttons and turning knobs. He saw Page looking and flipped a switch that opened an intercom.
âHow was it?â Ian said.
âYour avatar flickered a few times. It hesitated when it was over me with the knife.â
âThat was a glitch,â Ian said. âI wouldnât have hesitated.â
âAnd the eyes still arenât quite right.â Page rolled his head around, feeling the muscles in his neck flex and pop. He pushed his fists into his lower back and bent over them.
Snatching a cigar holder off a shelf, he withdrew a vintage Davidoff Dom Perignon, a dark brown stick of aromatic Cuban leaf, made before the manufacturer fled Havana for the Dominican. He rolled the cigar under his nose, appreciating the coffee-chocolaty fragrance coming off the wrapper.
âOh,â he said, catching Ianâs eye again. âWas the rifle smoke your idea? How many programming man-hours did you spend on that one?â
âIf you want, we can program smoke rings for you too,â Ian said.
âIâm not laughing, smart guy.â He clipped the foot of the Davidoff and toasted the head over a lighterâs mini-torch. His inability to blow smoke rings, despite burning through a dozen cigars a day, was a company jokeâthough only Ian dared laugh about it to his face.
The great Brendan Page, heâd say, conqueror of cities, builder of empires, leader of thirty thousand men . . . canât blow a smoke ring.
Page pulled on the cigar, tasting cedar in the smoke. He glanced up at the empty control room window. He formed his lips into an O and pushed out some smoke. An unformed plume billowed into the room.
Ian strolled past the window.
âIan!â Page called. He waved the smoke away from his face. Ian nodded at him.
âLetâs go again,â Page said.
âAnyone in mind?â
Page thought about it. âI think itâs time to kick bin Ladenâs butt again. Put him on, but give him a couple extra bodyguards this time.â
FIVE
Hutch held the phone away from his ear as the man on the other end laid into him.
âWhere do you come off calling me at home?â the man said.
Hutch said, âOkay, forget about Dr. Nichols.â He tapped a notepad on his desk with a pencil. âWhat about Genjuros ? Does that word mean anything to you? I think itâs G-E-Nââ
He heard a click and the familiar nothingness that was somehow deeper than silence. âHello? Dr. Kregel?â
He sighed and dropped the handset onto the cradle, then rocked back in his chair. He gazed at the dry-marker board, the size of a garage door, that hung on one wall of his home office. It was covered with scribbled notes in a dozen colors. Lines snaked around and through words, suggesting tentative connections. Photographs and articles clipped from newspapers and magazines or photocopied from books were taped here and there along its edges, spreading onto the walls.
One of the papers, partially covered by later additions to the wall, was headlined âThe Psychological Effect of War on the Adolescent Mind.â It was written by Dorian Nichols, PhD. A small picture showed a man in glasses and a bow tie.
Hutch tossed the pencil at it. He said, âWhat is it, doctor? What did you want me to find out?â
A knock came at the door. Laura peered in, smiling. âYouâre not talking to yourself, are you?â
âDonât worry, I donât listen.â Hutch looked at his watch and realized heâd been holed up for three hours. âUh . . . I lost track of the time.â
âI kind of got that,â Laura said. She came into the room, carrying two