backtrack. Spacing says he was running on the way out. Tripped and fell down once, down below in the trees. Running blind, down timber all around, no more sense than the horse.â
âOr a woman.â Martha scratched the soft skin under her chin. âYou said the third set of tracks are shorter. Why couldnât they be a womanâs? Thatâs whoâs missing on this godforsaken mountain.â
âCould be at that. Make sense if she came onto the scene, saw him dead like this.â
âI damn near bolted myself.â
âNo, Martha, you didnât. You just walked out to the edge of the trees where I found you and threw up and kicked some snow over it.â
âDamned white book,â she muttered under her breath. âAny idea where number two and three came from?â
Harold shook his head. âOnce you get in the open, the tracks are windblown. Odd thing, though. Thereâs a drag mark near the elk carcass, a little dirt kicked up. Like someone dragging a heavy branch. Hard to tell with the snow cover.â
Martha fingered the point-and-shoot in her breast pocket.
Harold shook his head. âPictures will just wash out, all that light bouncing off the snow.â
âI know that. Iâm not taking pictures of the tracks. This is just my way of telling you to finish up so I can take the scene photos. If you havenât noticed, thereâs a man over there whoâs cooling down to room temperature and he has an antler sticking out of him thatâs long enough to hang a hat on.â
âThatâs what I miss about you, Martha.â
âWhat?â
âOh, just you being you.â
âThat was your choice, Harold.â
âMy wife had something to say about it.â
âYour ex-wife.â
Harold looked away. Martha felt her shoulders sag.
âIâm sorry,â she said. âWhatâs going on with you and Lou Anne, itâs none of my business. Except . . .â All right, she told herself, Iâm just going to say it. âI donât know, you and me, I thought we had something. I keep asking myself what I did to screw it up.â
âYou didnât do anything. Lou Anne and I have known each other since we were kids. Sheâs my people. Sheâs got a problem with depression; she wanted to talk about it. I thought I could deal with it without getting involved, and I couldnât. I wasnât going to be two-timing you. You mean too much for me to be anything but honest.â He swept his arm, encompassing the opening in the trees, the pines beyond, putting on their colors as the country came awake. âAll this, thereâs no place Iâd rather be than working a story in the snow with you looking over my shoulder, tapping your foot and telling me to get off Indian time.â
âYeah,â Martha said drily. âWe ought to do this more often, get together on a mountain drenched in blood.â
Suddenly she
was
tired, her voice was tired, everything about her was tired. âI better radio Walt,â she said. âHeâll be waking up to three horses and wondering where the hell I am.â
âDonât bother. I spotted him when I was searching the perimeter. Heâs following your tracks, humping it about as fast as a Scotsman reaching for the check.â Harold got his feet. âIâm going to need some time here alone. Keep him out of my kitchen. Same if Bucky Anderson shows up. Jason radioed him the coordinates same as me. He should have been here.â He reached into his jacket pocket and brought out an apple, took a quarter of it in one bite and handed it to Martha. âGive it to Snow. Mind your fingers.â
Now heâs telling me how to feed a horse, she thought.
Back on the open mountainside, she clucked to the paint. âHey there, Jerry Old Snow,â she said, and offered him the apple on the flat of her hand. She could see Walt coming up