otherwise.”
“I am a widower, comrade General. My wife died in the civil war. She was a nurse, in Berdichev.”
“So you are alone,” Bloch said. “Some men, in such circumstances, might be careless of their lives, since nothing holds them to the world. Unconcerned with consequence, such men rise to an opportunity, sacrifice themselves, perhaps to cure their nation of a great evil. And then we have—why not say it? A hero! Do I have it right? Is this your view?”
A man and a woman—she had just said something that made him laugh—went by in the corridor. Szara waited until they passed. “I am like everybody else,” he said.
“No,” Bloch said. “You are not.” He leaned forward, his face taut, concentrated. “To be a writer, that requires work. Work and sacrifice. And the determination to follow a certain road, wherever it may lead. Remember that, comrade journalist, whatever might happen in the days ahead.”
Szara started to reply, to fend off a version of himself he found grandiose, but Bloch raised a hand for silence. The gesture was casual enough, but it struck Szara dumb. The general stood and unlatched the door, stared at Szara a moment, a look that openly weighed and calculated, then left the compartment abruptly, closing the door firmly behind him and disappearing down the passageway.
Some time later, the train halted at Ulm. The station platform was a lacework of shadows, and raindrops refracted trails of light as they rolled down the compartment window. A figure with a hat and an underarm briefcase hurried across the platform and entered the passenger door of a black Grosser Mercedes—an automobile often used by Reich officials—which sped away from the railroad station and was soon lost in the darkness.
A hero?
No, Szara thought. He knew better. He'd learned that lesson in war.
At the age of twenty-three, in 1920, he had campaigned with Marshal Tukachevsky, writing dispatches and inspirational stories for the home front, much as the writer Babel—a Jew who rode with Cossack cavalry—had served General Budenny. In the midst of the war against Poland, the Soviet forces had been driven back from Warsaw, from the banks of the Vistula, by an army commanded by General Pilsudski and his adviser, the French general Weygand. Szara's squadron, during the retreat, had been set upon by Ukrainian bandits, a remnant of the Petlyura army that had occupied Kiev. Attacked from the ridge of a hillside, and outnumbered, they had fought like men possessed, all of them—cooks, clerks, wagon-masters, and military correspondents. For the previous day they'd come upon the body of a Polish colonel, stripped bare, tied by onefoot to a high tree branch, the impaling stake protruding from between his legs. The Ukrainian bands fought both sides, Poles and Russians, and God help anyone they took alive.
From horseback, Szara had ridden down one man, slashed at another with his saber. In the next instant he and his horse were down in the dust, the horse whinnying in pain and terror, its legs thrashing. Szara rolled frantically away from the animal, then a smiling man walked toward him, a small dagger in his hand. Horses galloped past them, there were shots and screams and pointless shouted commands, but this man, in cap and overcoat, never stopped smiling. Szara crawled on all fours, a horse leapt over him and its rider cursed, but he could gain no ground. The battle that raged around them mattered not to Szara nor, apparently, to his good-humored pursuer. The smile was meant, he understood, to be reassuring, as though he were a pig in a sty. As the man closed on him he made a cooing sound and Szara came suddenly to his senses, fumbled his revolver loose of its holster, and fired wildly. Nothing happened. The smile broadened. Then Szara took hold of his fear, as though he could squeeze it in his fist, aimed like a marksman on a target range, and shot the man in the eye.
What he remembered later was not that he had
Massimo Carlotto, Anthony Shugaar