tall casement windows to be reflected in the dark water of the pool. I had been invited to dinner, but turned him down flat, still furious with him for the
Sidelines
fiasco. He was probably, even as I stood there, telling his pals about the private investigator who lived in his backyard. Fucking dilettante, using me to amuse his Palm Beach pals. Never giving a thought to the fact that he was playing with my life.
Never mind he had saved it first.
I didn’t want the reminder. I didn’t want to think of Molly Seabright or her sister. This place was supposed to be my sanctuary, but I felt as if half a dozen unseen hands were grabbing at me, plucking at my clothes, pinching me. I tried to walk away from them, going across the damp lawn to the barn.
Sean’s barn had been designed by the same architect who designed the main house and the guest house. Moorish arches created galleries down the sides. The roof was green tile, the ceiling teak. The light fixtures hanging down the center aisle had been taken out of an art deco–era hotel in Miami. Most humans don’t have homes that cost what his stable cost.
It was a lovely space, a place I often came to at night to calm myself. There are few things as quieting and reassuring to me as horses browsing on their evening hay. Their lives are simple. They know they are safe. Their day is over and they trust the sun will rise the next morning.
They trust their keepers absolutely. They are utterly vulnerable.
Oliver abandoned his food and came to put his head out over his stall door to nuzzle my cheek. He caught the collar of my old denim shirt between his teeth and seemed to smile, pleased with his mischief. I hugged his big head and breathed in the scent of him. When I stepped back, extricating my collar, he looked at me with eyes as kind and innocent as a small child’s.
I might have cried had I been physically able to do so. I am not.
I went back to the guest house, glancing in again at Sean’s dinner party as I passed. Everyone looked to be having a grand time, smiling, laughing, bathed in golden light. I wondered what I would see if I were to walk past Molly Seabright’s house. Her mother and stepfather talking around her, preoccupied with the details of their mundane lives; Molly isolated from them by her keen intelligence and her worry for her sister, wondering where to turn next.
When I went inside my house, the message light on my phone was blinking. I hit the button and braced myself to hear Molly’s voice, then felt something like disappointment when my attorney asked me to please return his call sometime this century. Asshole. We’d been waging the battle for my disability pay since I had left the Sheriff’s Office. (Money I didn’t need, but was entitled to because I had been injured on the job. Never mind that it had been my own fault, or that my injuries were insignificant compared to what had happened to Hector Ramirez.) What the hell didn’t he know about the situation after all this time? Why did he think he needed me?
Why would anyone think they needed me?
I went into my bedroom and sat on the bed, opened the drawer of the nightstand. I took out the brown plastic bottle of Vicodin and poured the pills out on the tabletop. I stared at them, counted them one by one, touching each pill. How pathetic that a ritual like this might soothe me, that the idea of a drug overdose—or the thought that I wouldn’t take them that night—would calm me.
Jesus God, who in their right mind would think they needed me?
Disgusted with myself, I dumped the pills back in the bottle, put the bottle back in the drawer. I hated myself for not being what I had always believed myself to be: strong. But then I had long mistaken being spoiled for being strong, being defiant for being independent, being reckless for being brave.
Life’s a bitch when you find out in your thirties that everything you ever believed to be true and admirable about yourself is nothing but a