ankle. Men, I sensed, somehow, would relish an ornamented woman, perhaps even one who was shamefully belled.
I went to the table where rested the small recorder. I was excited, as I always was, somehow, before I danced. I picked up one tape, put it aside, and selected another. It was to that that I should dance.
Men had always, it seemed, at least since puberty, been more disturbing, and interesting and attractive to me than they should have been to a modern woman, or a real woman. They had always seemed far more important to me than they were really supposed to be. They were only men, I had been taught. But even so, they were men, even if that were all they were. I could never bring myself to think of them, really, as persons. To me they always seemed more meaningful, and virile, than that, even the men I knew. To me, in spite of their cowardice and weakness, they still seemed, in a way, men, or at least the promise of men. Beyond this, after that night, long ago, in my bedroom, that night in which I had admitted to myself my real nature, though I had denied it often enough since, my interest in me had been considerably deepened. After my confession to myself, kneeling before my vanity in the darkness of my room, they had suddenly become a thousand times more real and frightening to me. And this interest in them, and my sensitivity to them, and my awareness of them, had been deepened further, I think, in my experience with dance. I do not think this was simply a matter of a modest reduction in my weight and, connected with this, and the exercise, a noticeable improvement in my figure, helping me to a more felicitous and reassuring self-image, that of a female in clear, lovely contrast to a male, or the dance's prosaic improvement of such things as my circulation, my body tone, and general health, though, to be sure, it is difficult for a woman to be healthy, truly healthy, and not be interested in men, but what was really important, rather, or especially important, I think, was the nature of the dance itself, the kind of dance it was. In this form of dance a woman becomes aware of the marvelous, profound complementaries of sexuality, that she, clearly, is the female, beautiful and desirable, and that they, watching her, being pleased, their eyes alit, strong and mighty, are different (pg. 26) from her, that they are men, and that, in the order of nature, she, the female of their species, belongs to them. It is thus impossible for her, in this form of dance, not to become alertly, deeply, keenly aware of the opposite sex.
Do we truly belong to me, I asked myself. No, I laughed. No, of course not! How silly that is!
I inserted the tape in the recorder.
My finger hesitated over the button. But perhaps it is true, really, I thought. I shrugged. It seemed that men did not want us, or that men of the sort I knew did not want us. If they did want us why did they not take us, and make us theirs? I wondered, then, if there were a different sort of men, somewhere, the sort of men who might want us, truly, and take us, and make us theirs. Surely not. Men did not do what they wanted with women, never. Surely not! Nowhere! Nowhere! But I knew, of course, that men had, and commonly had, in thousands of places, for thousands of years, treated us, or some women, at least, perhaps luckless, unfortunate ones, exactly as they had pleased, holding them and keeping them, as no more than dogs and chattels. How horrifying, I thought. But surely men such as that no longer existed, and my recurrent longing for them, a needful, desperate longing, as I sometimes admitted to myself, must be no more than some pathetic, vestigial residue of a foregone era. Perhaps it was an odd, anachronistic inherited trait, a genetic relic, tragically perhaps, in my case, no longer congruent with its creature's environment. I wondered if I had been born out of my time. Surely a woman such as I, I thought, might better have thrived in Thebes, or Rome, or Damascus.