you miss me again.â The daggers in her eyes met their mark. In fact, her marksmanship was a legend at the agency. Legendarily bad. She couldnât hit a barn door at high noon.
âLetâs get this farce on the road.â She put a slender hand, palm down on his chest. With the other hand she reached behind her for the long zipper that curved up her back.
He wished it was real and not staged for their unseen audience. âIâll get the drapes.â
âMake it snappy.â The dress parted revealing slender, creamy pale shoulders. Jack yanked at the drapes, but kept his eyes on the woman pretending to strip.
âStop ogling. Iâm doing this for the benefit of those guys outside, not for you,â Mia said impatiently. âHurry up and close the drapes, would you?â
Honest to God, looking at her face anyone would be forgiven for believing she was as hot for him as he was for her. But Jack knew that look in her eyes too well. It wasnât lustâit was blood lust. Big difference.
And he was as hard as a pistol despite knowing that Mia was stripping only for the benefit of the job. âThe pullâs on the left side.â
He used the pull and the heavy drapes slowly slid closed, blocking out the square black eyes of the French doors.
All business now, Mia pulled the dress back up over her shoulders and struggled with the zipper as she moved swiftly to the painting on the far wall. âJust for the record, a Hollywood kiss would have done the job.â
âYou know I strive for authenticity,â he told her, handing her a pair of thin latex gloves from his pocket. He leaned against the door and observed her slender, gloved fingers feel around the perimeter of the painting, studying the frame for any creative security feature.
âAnything?â he asked quietly.
âHand me my purse.â
He dug the small clutch out of his pocket and opened it.
His lips twitched. A .22, a wedge of folded tissues, a credit card, lip gloss, twenty dollars andâ¦âGod damn it, Mia!â
She spun around. âWhat?â
âYou have rubbers in here.â
She lifted a brow. âAnd your point is?â
âYou have three rubbers in here.â
âYou know, Jack,â Mia said mildly, âthis is absolutely the perfect time to be discussing the items in my purseâwhile weâre breaking and entering an ambassadorâs personal safe. Your timing, as usual, is impeccable.â
âDavis wouldâve brought his own rubbers.â
âAs it turns out, Davisâthat would be youâcan inflate the rubbers and float them to the moon for all I care. Hand me the compact of pressed powder.â She shot him a glare. âPlease.â
She took the everyday object and turned it into a trick of the trade. Jack noted that after loosening some of the face powder, she brought the silver compact close to her lips. His body reacted with more than just admiration as she pursed her mouth and blew the smallest stream of flesh-colored dust around the painting.
âNo lasers,â she said, more to herself than to him, he was sure. Mia was so focused he doubted she even remembered he was in the room. She yanked a hair from her scalp, rubbed the spot absently, then, on tiptoes, slipped the hair a few inches around and under the painting.
A painting which, Jack thought, was a monstrosity of flowers that looked suspiciously like a womanâs vulva.
Mia dropped the strand of hair and slid her finger beneath the bottom edge. He heard a quick but distinct click. Then the painting hinged open to reveal a small, black, older model wall safe trimmed in gold.
âCan youâ?â
Mia made a small dismissive noise. âPlease. Donât insult me.â
Jack, ears tuned to the hum of conversation outside the door, watched as she cocked her head and her nimble fingers moved with precision around the old-fashioned dial.
She twisted the knob to
Elizabeth Amelia Barrington