hour.
She switched on the stereo on her way to the kitchen, then dropped her bag on the twelve-inch square of Formica she called counter space. She scrubbed two potatoes, stuck them in the oven, remembered to turn it on, then dumped the fresh vegetables into the sink.
It occurred to her vaguely that she might tidy the place up a bit. It hadn't been dusted in… well, there was enough clutter on the tables to hide the dust, anyway. Some might call her rooms a shade messy, but no one would call them dull.
Most of her furnishings and decorations were Broadway surplus. When a show closed—especially if it had flopped—the markdown on props and materials was wonderful. They were memories to her, so even after the money had started to come in regularly she hadn't replaced them. The curtains were red and dizzity ornate—a steal from Best Little Whorehouse in Texas. The sofa, with its curvy back and dangerously hard cushions, had been part of the refuse of a flop she couldn't even remember, but it was reputed to have once sat on the parlor set of My Fair Lady. Maddy had decided to believe it.
None of the tables matched; nor did any of the chairs. It was a hodgepodge of periods and colors, a tangle of junk and splendor that suited her very well.
Posters lined the walls, posters from plays she'd been in, posters from plays where she hadn't gotten past the first call. There was one plant, a philodendron that hovered between life and death in its vivid pot by the window. It was the last in a long line of dead soldiers.
But her most prized possession was a hot-pink neon sign whose curvy letters spelled out her name. Trace had sent it to her when she'd gotten her first job in a Broadway chorus. Her name in lights. Maddy switched it on as she usually did and thought that while her brother might not often be around, he always made himself known.
Deciding not to spend too much tune picking up when it would only be cluttered again in a couple of days, Maddy cleaned off a couple of chairs, stacked the magazines and the unopened mail and left it at that. More pressing was the task of washing out her dance clothes.
She filled the tub with warm water and soap, then added the lights and leotard she'd worn to class that morning. With them she added her rehearsal clothes. For good measure she dropped in sweatbands and leg warmers. With the sleeves of her knee-length sweatshirt rolled up, she began the monotonous job of washing out, rinsing and wringing. Using the makeshift clothesline she'd fashioned in the tub, Maddy hung every piece up to dry.
The bathroom was no larger than a closet. When she stood up and turned, she faced herself in the mirror over the sink. Mirrors were an intimate part of her life. There were days when she danced in front of them for eight hours, watching, recording, assessing every muscle and move of her body.
Now she looked at her face—fairly good bones, satisfactory features. It was the combination of pointed chin, wide eyes and glowing skin that won those awful accolades like 'cute' and 'wholesome' Nothing earth-shattering, she thought, but she could give them a hand.
On a whim she swung the mirrored door open and grabbed two handfuls of makeup at random. She bought it, stored it, even hoarded it. It was almost an obsession. The fact that she rarely used it unless she was performing didn't make her hobby seem odd to her. Whenever she wanted to play with her face, she had all the tools handy.
For ten minutes she experimented, putting on, creaming off, then putting on again, until the result was simply a bit of exotic color on her eyes and the faintest hint of warmth on her cheekbones. Maddy put the pots and tubes and pencils back into the cabinet, then shut the door before anything could fall out.
Was she supposed to chill that wine? she thought abruptly. Or maybe she should serve it at room temperature—which was now hovering around eighty degrees.
* * *
She must have given him the wrong address. Reed