turn around in his traces.
âIâm sorry, Dami,â said the Archangel Raphael, settling in all his immateriality next to Damiano. âI donât know what to do about that.â
Damiano gave a sweeping wave of his hand, accompanied by one scornful eyebrow. âDonât think about it, Seraph. It is my little problem. At least I can hear you perfectly, and that is more than most people can. Besides, I remember well what you look like.â He opened his eyes, staring straight ahead.
And he sighed with relief. It was pleasant to talk to the angel again. Very pleasant, especially now when he was feeling so completely friendless. But conversation was one thing, and study another. Today Damiano was not in the mood for a lesson.
Yet Raphael was his teacher, and so Damiano felt some effort was incumbent upon him. âIâve been saving a question for you, Raphael. About that joli bransle we were toying with last week.â
âThe bransle?â A hint of surprise rested in the angelic voice. âYou want to talk about the bransle right now?â
âI was wondering if I ought to play those three fourth intervals in a row. Or not, you know? Itâs not like they were fifths, which would be too old-fashioned and dull, but still, I feel the measure would go more if I descended in the bass.â
There was a momentâs silence, along with a rustle like that of a featherbed. Then the corona of radiance said, âDami, what are you going to do about Gaspare?â
Involuntarily, Damiano glanced over. Silver filled his eyes, cool as starlight, chillingly cool, set off by seas of deep blue. Damiano was falling, fearlessly falling, out into depths of time.
There was a curtain of silence. He tore it.
And the brilliance then was white-hot and immense. It was not infinite, but full within limits set perfect for it, shining round and glad, and it would have been meaningless to suggest this brilliance might want to be larger or smaller than it was, for it was glowingly content. And it was a brilliance of sound as much as of light: wild sound, like trumpets in harmony, yet subtle as the open chords of a harp. It drowned Damiano. His problems dissolved.
âDami,â came the soft, cool, ordinary voice. âDami. Damiano! Close your eyes or Iâll have to knock you off the wagon.â
Eventually the young man obeyed, dropping his head, clutching the seatback as though fighting a formidable wind. âI⦠I⦠ooof! Forgive me, Raphael. It leaves me a little sick.â
The angel emitted a very melodic sort of whine. âThatâs terrible, Dami. What is the matter with me that I affect you so badly?â
Through his undeniable nausea, Damiano had to laugh. âThe matter with you, old friend? Donât worry about it. Itâs what I get for being neither witch nor truly simple. And the sickness I feel happens only as I come back to myself.â
He sat upright once more, and reached out at random to slap an immaterial shoulder. âItâs good for my music, Seraph. You have no idea how much I learn each time I get sick looking at you.â
Raphaelâs sigh was quite human. He plucked at Damianoâs head. âYou have sap in your hair,â he observed.
Damiano wiggled his fingers into the snarl. âI know. Gaspare wanted to cut it out. That seemed a very radical solution to the problem, so Iâ¦â
âGaspare,â echoed the angel. âWhat are you going to do about Gaspare?â
Damiano bristled his brow. âHow can I tell you? He just ran off not an hour ago. Maybe heâll come back. And how did you know about that anyway, Raphael? You were listening?â
Wings ruffled again. âYes, I was.â After a few secondsâ silence on the humanâs part, Raphael added, âShouldnât I listen?â
Damiano shrugged. âIt makes me feel I have to be always on my best behavior, thatâs all.â
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Theresa Marguerite Hewitt