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hour on the button, then kick in some kind of righteous upper, get you up and on the case, no lie . . .”
    Turner shook his head. “Take me to Conroy.”

5
THE JOB
    M ARLY CHECKED INTO a small hotel with green plants in heavy brass pots, the corridors tiled like worn marble chessboards. The elevator was a scrolled gilt cage with rosewood panels smelling of lemon oil and small cigars.
    Her room was on the fifth floor. A single tall window overlooked the avenue, the kind of window you could actually open. When the smiling bellman had gone, she collapsed into an armchair whose plush fabric contrasted comfortably with the muted Belgian carpet. She undid the zips on her old Paris boots for the last time, kicked them off, and stared at the dozen glossy carrier bags the bellman had arranged on the bed. Tomorrow, she thought, she’d buy luggage. And a toothbrush.
    “I’m in shock,” she said to the bags on the bed. “I must take care. Nothing seems real now.” She looked down and saw that her hose were both out at the toe. She shook her head. Her new purse lay on the white marble table beside the bed; it was black, cut from cowhide tanned thick and soft as Flemish butter. It had cost more than she would have owed Andrea for her share of a month’s rent, but that was also true of a single night’s stay in this hotel. The purse contained her passport and the credit chip she’d been issued in the Galerie Duperey, drawn on an account held in her name by an orbital branch of the Nederlands Algemeen Bank.
    She went into the bathroom and worked the smooth brass levers of the big white tub. Hot, aerated water hissed out through a Japanese filtration device. The hotel providedpackets of bath salts, tubes of creams and scented oils. She emptied a tube of oil into the filling tub and began to remove her clothes, feeling a pang of loss when she tossed the Sally Stanley behind her. Until an hour before, the year-old jacket had been her favorite garment and perhaps the single most expensive thing she’d ever owned. Now it was something for the cleaners to take away; perhaps it would find its way to one of the city’s flea markets, the sort of place where she’d hunted bargains as an art-school girl. . . .
    The mirrors misted and ran, as the room filled with scented steam, blurring the reflection of her nakedness. Was it really this easy? Had Virek’s slim gold credit chip checked her out of her misery and into this hotel, where the towels were white and thick and scratchy? She was aware of a certain spiritual vertigo, as though she trembled at the edge of some precipice. She wondered how powerful money could actually be, if one had enough of it, really enough. She supposed that only the Vireks of the world could really know, and very likely they were functionally incapable of knowing; asking Virek would be like interrogating a fish in order to learn more about water. Yes, my dear, it’s wet; yes, my child, it’s certainly warm, scented, scratchy-toweled. She stepped into the tub and lay down.
    Tomorrow she would have her hair cut. In Paris.
     
    Andrea’s phone rang sixteen times before Marly remembered the special program. It would still be in place, and this expensive little Brussels hotel would not be listed. She leaned out to replace the handset on the marble-topped table and it chimed once, softly.
    “A courier has delivered a parcel, from the Galerie Duperey.”
    When the bellman—a younger man this time, dark and possibly Spanish—had gone, she took the package to the window and turned it over in her hands. It was wrapped in a single sheet of handmade paper, dark gray, folded and tucked in that mysterious Japanese way that required neither glue nor string, but she knew that once she’d opened it, she’d never get it folded again. The name and address of the Galerie were embossed in one corner, and her name and the name of her hotel were handwritten across the center in perfect italic script.
    She unfolded the