Santa Marta had been built, more than twenty years earlier, the cardinal-electors were housed for the duration of a Conclave in the Apostolic Palace. The powerful Archbishop of Genoa, Cardinal Siri, a veteran of four Conclaves and the man who had ordained Lomeli a priest in the 1960s, used to complain that it was like being buried alive. Beds were jammed into fifteenth-century offices and reception rooms, with curtains slung between them to provide a rudimentary privacy. Washing facilities for each cardinal consisted of a jug and a basin; sanitation was a commode. It was John Paul II who had decided that such quaint squalor wasno longer tolerable on the eve of the twenty-first century and who had ordered the Casa to be built in the south-western corner of the Vatican City at a cost to the Holy See of twenty million dollars.
It reminded Lomeli of a Soviet apartment building: a grey stone rectangle lying on its side, six storeys high. It was arranged over two blocks, each fourteen windows wide, connected by a short central mid-section. In the aerial photographs published in the press that morning it resembled an elongated H, with its northern elevation, Block A, fronting on to the Piazza Santa Marta, and the southern, Block B, overlooking the Vatican wall to the city of Rome. The Casa contained 128 bedrooms with en suite bathrooms, and was run by the blue-habited nuns of the Company of the Daughters of Charity of St Vincent de Paul. In the intervals between papal elections – that is, for the great majority of the time – it was used as a hotel for visiting prelates, and as a semi-permanent hostel for some of the priests working in the bureaucracy of the Curia. The last of these residents had been cleared out of their rooms early in the morning and transferred half a kilometre outside the Vatican to the Domus Romana Sacerdotalis in Via della Traspontina. By the time Cardinal Lomeli entered the building after his visit to the Sistine Chapel, the Casa had taken on a ghostly, abandoned air. He passed through the scanner that had been set up just inside the lobby and collected his key from the sister at the reception desk.
Rooms had been allocated the previous week by lot. Lomeli had drawn one on the second floor of Block A. To reach it he had to pass the late Pope’s suite. It had been sealed since the morning after his death, in accordance with the laws of the Holy See, and to Lomeli, whose guilty recreation was detective fiction, it looked disturbingly like one of the crime scenes he had often read about. Red ribbon ranback and forth in a cat’s cradle between the door and its frame, fixed in place by blobs of wax bearing the coat of arms of the Cardinal Camerlengo. In the doorway was a large vase of fresh white lilies; they exuded a sickly scent. On the tables either side of them, two dozen votive candles in red glass holders flickered in the wintry gloom. The landing, which had once been so busy as the effective seat of government of the Church, was deserted. Lomeli knelt and took out his rosary. He tried to pray, but his mind kept drifting back to his final conversation with the Holy Father.
You knew my difficulties,
he said to the closed door,
yet you refused my resignation. Very well. I understand. You must have had your reasons. Now at least help to provide me with the strength and wisdom to find a way through this trial.
Behind him he heard the elevator stop and the doors open, but when he glanced over his shoulder, no one was there. The doors closed and the car continued upwards. He put away his beads and struggled to his feet.
His room was halfway along the corridor, on the right. He unlocked the door and opened it on to darkness. He felt around the wall for a switch and turned on the lamp. He was dismayed to discover he had no sitting room, merely a bedroom, with plain white walls, a polished parquet floor and an iron bedstead. But then he thought it was for the best. In the Palace of the Holy Office he had an
Bill Pronzini, Barry N. Malzberg