as soon talk the language of the markets as not. She cannot have acquired so quickly a knowledge of her errors. I tell you, brothers, Laurence is afraid of me: such is the result of a week of respect.
As soon as she rises, she makes a grand toilet; she runs to the looking-glass and forgets herself there for an hour. She is in haste to repair the disorders of the night. Her thin locks are let fall, showing bare places on her head; her cheeks, from which the rouge has been rubbed, are pale and faded. She knows that she no longer has her borrowed youth, and is afraid that I will notice its absence should I turn my gaze upon her. The poor girl, who has lived beneath a coat of paint, fears lest I should drive her away when I see her without it. She combs her hair laboriously, puffing out her locks and skilfully concealing the vacant spots left by those which are gone; she blackens her eyelashes, whitens her shoulders and reddens her lips. Meanwhile I keep my back turned towards her, feigning to see nothing of all this. Then, when she has painted her face and thinks herself sufficiently young and beautiful, she comes to me smilingly. She is calmer, feeling certain that she is safe. She offers herself fearlessly to my eyes. She forgets that I cannot be deceived by the pretty colors she has put on, and seems to think that when I see them I am satisfied.
I told her in plain words that I preferred fresh water to pomades and cosmetics. I even went so far as to add that I liked her premature wrinkles better than the greasy and shining mask she put on her countenance every day. She did not understand. She blushed, thinking that I was reproaching her with her ugliness, and since then she has made increased efforts not to look like herself.
Thus combed and rouged, wrapped in her blue silk dress, she drags herself from chair to chair, careless and wearied. Not daring to stir for fear of deranging a fold of her skirt, she generally remains seated the rest of the day. She crosses her hands, and, with her eyes open, falls into a sort of waking sleep. Sometimes, she rises and walks to the window; there she leans her forehead against the icy panes and resumes her doze.
She was active enough before she became my companion. The agitated life she then led gave her a feverish ardor; her idleness was noisy and joyfully accepted the rude tasks set for it. Now, sharing my calm and studious existence, she has all the laziness of peace without its gentle and regular work.
I must, before everything else, cure her of carelessness and weariness. I plainly see that she regrets the strife, confusion and excitement of her early days, but she is by nature so devoid of energy that she is afraid to regret them openly. I have told you, brothers, that she fears me. She does not fear my anger, but she stands in terror of the unknown being whom she cannot comprehend. She vaguely seizes my wishes and bows before them, ignorant of their true meaning. Hence she is circumspect in her conduct without being repentant, and remains serious and tranquil without ceasing to be idle and lazy. Hence also she thinks that she cannot refuse my esteem, and, though she is sometimes amazed at it, she never seeks to be worthy of it.
CHAPTER X.
THE EMBROIDERY STRIP.
I SUFFERED to see Laurence weighed down and languishing. I thought that toil was the great agent of redemption, and that the calm joy at the accomplishment of a task would make her forget the past. While the needle flies nimbly the heart awakes; the activity of the fingers gives to reverie a gayer and purer vivacity. A woman bent over her work has I know not what perfume of honesty. She is at peace and makes haste. Yesterday, perhaps, an erring creature, the workwoman of to-day has found again the active serenity of the innocent. Speak to her heart, it will answer you.
Laurence said she would like to be a seamstress. I desired that she should remain under my care, away from the workrooms. It seemed to me that quiet
Elizabeth Amelia Barrington