emerged from under the girdings. She wore a fur coat open at the shoulders and spread her knee- high boots wide. A car went by and she threw open the coat. Underneath she wore nothing at all. The car beeped and sped off. She screamed after it, started walking my way, carrying what looked like a parasol.
I scanned the balconies of the high- rises for any sign of Corrigan. The street lights flickered. A plastic bag tumbled. Some shoes were strung on the high telegraph wire.
“Hey, honey.”
“I’m broke,” I said without turning around. The hooker spat thickly at my feet and raised the pink parasol over her head.
“Asshole,” she said as she walked past.
She stood on the lit side of the street and waited underneath the parasol. Every time a car went past she lowered and raised it, making herself into a little planet of light and dark.
I carried my rucksack towards the projects with as much nonchalance as I could. Heroin needles lay along the inside of the fence, among the weeds. Someone had spray- painted the sign near the entrance to the flats. A few old men sat outside the lobby, fanning themselves in the heat. They looked ruined and decrepit, the sort of men who’d soon turn into empty chairs. One of them reached for the slip of paper with my brother’s address written on it, shook his head, sagged back.
A kid ran past, a metallic sound coming from him, a tinny bounce. He disappeared into the darkness of a stairwell. The smell of fresh paint drifted from him.
I turned the corner to another corner: it was all corners.
Corrigan’s place was in a gray block of flats. The fifth floor of twenty. A little sticker by the doorbell: PEACE AND JUSTICE in a crown of thorns. Five locks on the doorframe. None of them worked. I pushed the door open. It swung and banged. A little bit of white plaster fell from the wall. I called his name. The place was bare but for a torn sofa, a low table, a simple wooden crucifix over the single wooden bed. His prayer kneeler faced against the wall. Books lay on the floor, open, as if speaking to one another: Thomas Merton, Rubem Alves, Dorothy Day.
I stepped over to the sofa, exhausted.
I woke later to the parasol hooker slamming through the doorway. She stood mopping her brow, then threw her handbag on the sofa beside me. “Oops, sorry, honey,” she said. I turned my face so she wouldn’t recognize me. She walked across the room, hitching off her fur coat as she went, naked but for her boots. She stopped a moment, looked in a long slice of broken mirror propped against the wall. Her calf muscles were smooth and curved. She hitched the flesh of her bottom, sighed, then stretched and rubbed her nipples full. “Goddamn,” she said. The sound of running water came from the bathroom.
The hooker emerged with her lipstick bright and a new clack in her step. The sharp smell of perfume filled the air. She blew me a kiss, waved the parasol, left.
It happened five or six times in a row. The turn of the door handle. The ping of stilettos on the bare floorboards. A different hooker each time. One even leaned down and let her long thin breasts hang in my face. “College boy,” she said like an offer. I shook my head and she said curtly: “I thought so.” She turned at the door and smiled. “There’ll be lawyers in heaven before you see somethin’ so good again.” She went down the corridor, laughing.
In the bathroom was a small metal rubbish can. Tampons and sad polyps of used condoms wrapped in tissue.
Corrigan woke me later that night. I had no idea what time it was. He wore the same type of thin shirt he had for years: black, collarless, longsleeved, with wooden buttons. He was thin, as if the sheer volume of the poor had worn him wayward to his old self. His hair was shoulder length and he had grown out his sideburns, a little punch of gray already at his temples. His face was cut slightly, and his right eye bruised. He looked older t han thirty- one.
“Beautiful world you’re living in,