Collected Short Fiction
depositing and taking away things. Then Popo began paintinghis house. He used a bright green, and he painted the roof a bright red. Hat said, ‘The man really mad.’
    And added, ‘Like he getting married again.’
    Hat wasn’t too far wrong. One day, about two weeks later, Popo returned, and he brought a woman with him. It was his wife. My auntie.
    ‘You see the sort of thing woman is,’ Hat commented. ‘You see the sort of thing they like. Not the man. But the new house paint up, and all the new furniture inside it. I bet you if the man in Arima had a new house and new furnitures, she wouldnta come back with Popo.’
    But I didn’t mind. I was glad. It was good to see Popo standing outside with his glass of rum in the mornings and dipping his finger into the rum and waving at his friends; and it was good to ask him again, ‘What you making, Mr Popo?’ and to get the old answer, ‘Ha, boy! That’s the question. I making the thing without a name.’
    Popo returned very quickly to his old way of living, and he was still devoting his time to making the thing without a name. He had stopped working, and his wife got her job with the same people near my school.
    People in the street were almost angry with Popo when his wife came back. They felt that all their sympathy had been mocked and wasted. And again Hat was saying, ‘That blasted Popo too conceited, you hear.’
    But this time Popo didn’t mind.
    He used to tell me, ‘Boy, go home and pray tonight that you get happy like me.’
    What happened afterwards happened so suddenly that we didn’t even know it had happened. Even Hat didn’t know about it until he read it in the papers. Hat always read the papers. He read them from about ten in the morning until about six in the evening.
    Hat shouted out, ‘But what is this I seeing?’ and he showed us the headlines: CALYPSO CARPENTER JAILED .
    It was a fantastic story. Popo had been stealing things left and right. All the new furnitures, as Hat called them, hadn’t been made by Popo. He had stolen things and simply remodelled them. He had stolen too much, as a matter of fact, and had had to sell the things he didn’t want. That was how he had been caught. And we understand now why the vans were always outsidePopo’s house. Even the paint and the brushes with which he had redecorated the house had been stolen.
    Hat spoke for all of us when he said, ‘That man too foolish. Why he had to sell what he thief? Just tell me that. Why?’
    We agreed it was a stupid thing to do. But we felt deep inside ourselves that Popo was really a man, perhaps a bigger man than any of us.
    And as for my auntie …
    Hat said, ‘How much jail he get? A year? With three months off for good behaviour, that’s nine months in all. And I give she three months good behaviour too. And after that, it ain’t going have no more Emelda in Miguel Street, you hear.’
    But Emelda never left Miguel Street. She not only kept her job as cook, but she started taking in washing and ironing as well. No one in the street felt sorry that Popo had gone to jail because of the shame; after all, that was a thing that could happen to any of us. They felt sorry only that Emelda was going to be left alone for so long.
    He came back as a hero. He was one of the boys. He was a better man than either Hat or Bogart.
    But for me, he had changed. And the change made me sad.
    For Popo began working.
    He began making Morris chairs and tables and wardrobes for people.
    And when I asked him, ‘Mr Popo, when you going start making the thing without a name again?’ he growled at me.
    ‘You too troublesome,’ he said. ‘Go away quick, before I lay my hand on you.’

3 GEORGE AND THE PINK HOUSE
    I WAS MUCH MORE afraid of George than I was of Big Foot, although Big Foot was the biggest and the strongest man in the street. George was short and fat. He had a grey moustache and a big belly. He looked harmless enough but he was always muttering to himself and cursing and
Read Online Free Pdf

Similar Books

Unknown

Unknown

Kilting Me Softly: 1

Persephone Jones

Sybil

Flora Rheta Schreiber

The Pyramid

William Golding

Nothing is Forever

Grace Thompson

The Tiger's Wife

Tea Obreht