another bowl in the luggage compartment. âI mean morning, noon and night, coast to coast, blazing fat ones with everyone they met, listening to righÂteous music, munching out, then torching up again before driving to meet new Âpeople with their own weed, passing more doobies until they all finally fell asleep. Then theyâd wake up and do the same thing again, day after day. Why donât they still make movies with great plots like that?â
âColeman, Easy Rider was about the American Dream.â
âLike I just said.â
âNo, not like . . . Never mind.â
Conversation took a break as the powder-Âblue 1972 Mercury Comet sat quietly on a deserted shoulder off Highway 105.
Serge and Coleman. An unforeseen permutation of the odd Âcouple. Theirs was a long-Âstanding alliance of mutual tolerance with a perpetual sound track of camera clicks and bong bubbles.
Coleman raised his hand.
Serge pointed at him in recognition. âYes, the transfer student from Cannabis County.â
âWhy are we in Louisiana?â
Serge twisted the cameraâs telephoto lens. âBecause it happened right there . . .â Click, click, click. â . . . the shooting location of the final scene from Easy Rider, a few miles north of Krotz Springs.â
âHowâd you find it?â
âExhaustive, frame-Âby-Âframe analysis of the closing aerial shots fading back from the burning motorcycle.â Click, click, click. âThat modest bayou out there was the last clue. I studied Internet satellite photos until I located it alongside the Atchafalaya River.â He lowered the camera as a dragonfly flew in the open window. âExcept they used a little geographical liberty to choose this filming site because the story line had them heading east out of New Orleans, not northwest.â
Colemanâs eyes rolled in their sockets as they followed the insect buzzing along the inside of the windshield looking for an exit. âDragonfly, dragonfly, dragon . . . fly, dra-Âgonnnnn-Âfly, dragon-Âflyyyyyyy, dragon-Âffffffly, dragon! fly! . . . fly! dragon! . . . dra-Âfly-Âgon! . . .â
âColeman, whatever the fuck it is youâre doing, can you please stop?â
âHey, Serge, you know how if you keep repeating the same thing over and over, it just becomes meaningless gibberish?â
âI do now.â
âThatâs seriously messed up. Itâs all Iâm saying.â
âKeep those bulletins flowing.â
âYou got it.â He leaned back over his airplane.
âBut hereâs the part that really hacks me off.â Click, click, click. âPeter Fonda and Dennis Hopper were heading to Florida. That was their ultimate goal. And after they trip on acid in that cemetery and hit the road, Iâm rubbing my palms in anticipation: âOkay, here comes the best part of all! My home state!â And then suddenly itâs over. I bought the DVD to scour the bonus material for an alternate ending, but no luck there, either.â
Serge started up the car.
âWhere now?â asked Coleman.
âThe key to my quest for the American Dream. Those two cyclists were always hitting small towns on their quest for the Sunshine State.â Serge pulled back onto the road. âSo weâre going to pick up the baton that Fonda and Hopper dropped right here and head south to create our own alternate ending.â
A n hour later, the Comet rolled east out of Slidell on Route 190.
âMan, you must really love that movie,â said Coleman. âI remember you swearing youâd never leave Florida again, after that last time.â
Serge studied the side of the road with intention. âTechnically weâre still in Florida.â
âWhat are you talking about?â asked Coleman. âWeâre not even back to Mississippi.â
âThe sign we passed
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