traveled all night?”
Shara nods.
“My goodness gracious. How horrible. Tea!” he shouts suddenly, for no apparent reason. “Tea!” He grabs a bell on his desk and begins violently shaking it, then repeatedly slams it on the desk when it does not get the response he desires. A girl no more than fifteen swivels into the room, bearing a battleship of a tea tray. “What took you so long?” he snaps. “I have a guest .” The girl averts her eyes and pours. Troonyi turns back to Shara as if they are alone: “I understand you were nearby in Ahanashtan? An awful polis, or so I think it. The seagulls, they are trained thieves, and the people have learned from the seagulls.” With a twitch of two fingers, he waves the girl away, who bows low before exiting. “We must civilize them, however—the people, I mean, not the birds.” He laughs. “Would you care for a cup? It’s our best sirlang. …”
Shara shakes her head with the slightest of smiles. In truth Shara, a thorough caffeine addict, is in desperate need of a cup, but she’ll be damned if she takes one thing from CD Troonyi.
“Suit yourself. But Bulikov, as I’m sure you’ve heard, is quite different. It has structures that remain in place, inflexible to our influence. And I don’t just mean the walls. Why, just three months ago the polis governor had to stop them from hanging a woman for taking up with another man—I am sorry to discuss such a thing before a young woman, but—for taking up with another man after her husband died. And the man had died years ago! The City Fathers would not listen to me, of course, but Mulaghesh …” He trails off. “How odd it is that the city most decimated by the past is the also the city most dead-set against reform, don’t you think?”
Shara smiles and nods. “I agree entirely.” She tries very hard to avoid looking at the painting hanging over his shoulder. “So you do possess Dr. Pangyui’s remains?”
“What? Oh, yes,” he says around a mouthful of biscuit. “I apologize—yes, yes, we do have the body. Terrible thing. Tragedy.”
“Might I examine it before its transport?”
“You wish to see his remains ? They are not … I am so sorry, but the man is not in a presentable state.”
“I am aware of how he died.”
“Are you? He died violently. Violently. It is abominable, my girl.”
My girl, thinks Shara. “That has been communicated to me. But I must still ask to see them.”
“Are you so sure?”
“I am.”
“Well … Hm.” He smears on his nicest smile. “Let me give you a bit of advice, my girl. I once was in your shoes—a young CA, patriotic, going through the motions, all the dog-and-pony shows. You know, anything to make a bit of name for myself. But, trust me, you can send all the messages you want, but there’s no one on the other line. No one’s listening . The Ministry simply doesn’t pay attention to cultural ambassadors. It’s like hazing, my dear—you do your time until you can get out. But don’t work up a sweat. Enjoy yourself. I’m sure they’ll send someone serious on to handle it soon enough.”
Shara is not angry: her irritation has long since ebbed away into bemusement. As she thinks of a way to answer him, her eye wanders back up to the painting on the wall.
Troonyi catches her looking. “Ah. I see you’re taken with my beauty.” He gestures to the painting. “ The Night of the Red Sands, by Rishna. One of the great patriotic works. It’s not an original, I’m sad to say, but a very old copy of the original. But it’s close enough.”
Even though Shara has seen it many times before—it’s quite popular in schools and city halls in Saypur—it still strikes her as a curious, disturbing painting. It depicts a battle taking place in a vast, sandy desert at night: on the closest wave of dunes stands a small, threadbare army of Saypuris, staring across the desert at an immense opposing force of armored swordsmen. The armor they wear is