goes out in little dumpcars smoking,
but even less does he want to be in Today’s Action Army
in Vietnam, in the Dominican Republic, in Guatemala,
in death that hurts.
In him are lectures on small groups, Jacksonian democracy,
French irregular verbs, the names of friends
around him in the classroom in Gary in the pillshaped afternoon
where tomorrow he will try and fail his license to live.
Half past home
Morning rattles the tall spike fence.
Already the old are set out to get dirty in the sun
spread like drying coverlets around the garden
by straggly hedges smelling of tomcat.
From the steep oxblood hospital
hunched under its miser’s frown of roof,
dishes mutter, pumps work, an odor
of disinfectant slops into the street
toward the greygreen quadrangles of the university.
Pickets with the facts of their poverty hoisted on sticks
turn in the street like a tattered washing.
The trustees decline to negotiate
for this is a charitable institution.
Among the houses of the poor and black nearby
a crane nods waist-high among broken bedrooms.
Already the university digs foundations
to be hallowed with the names of old trustees.
The dish and bottle washers, the orderlies march
carrying the crooked sick toward death on their backs.
The neighborhood is being cured of poverty.
Busses will carry the moppushers in and out.
Are the old dying too slowly in their garden?
Under elms spacious and dusty
as roominghouse porches the old men mutter
that they are closing the north wing,
for the land is valuable when you get down to it
and they will, down to the prairie dog bones.
This is the Home for Incurables: and the old are.
Many are the diseases that trustees are blind to,
or call incurable, like their own blindness
wide as the hoarse wind blows, mile after mile
where the city smokes sweetly as a barbecue
or sizzles like acid under nobody’s sun.
Simple-song
When we are going toward someone we say
you are just like me
your thoughts are my brothers and sisters
word matches word
how easy to be together.
When we are leaving someone we say
how strange you are
we cannot communicate
we can never agree
how hard, hard and weary to be together.
We are not different nor alike
but each strange in our leather bodies
sealed in skin and reaching out clumsy hands
and loving is an act
that cannot outlive
the open hand
the open eye
the door in the chest standing open.
For Jeriann’s hands
for Jeriann Hilderley
When I hug you, you are light as a grasshopper.
Your bones are ashwood the Indians used for bows.
You bend and spring back and can burn the touch,
a woman with hands that know how to pick things up.
Stiff as frozen rope words poke out
lopsided, in a fierce clothespin treble.
You move with a grace that is all function,
you move like a bow drawn taut and released.
Sometimes your wrists are transparent.
Sometimes an old buffalo man
frozen on the prairie stares from your face.
Your hair and eyes are the color of creek
running in the afternoon opaque under slanted sun.
You are stubborn and hardy as a rubber mat.
You are light as a paper airplane and as elegant
and you can fly.
The secret of moving heavy objects is balance, you said
in a grey loft full of your sculpture,
figures piercing or hung on boundaries,
leaping their thresholds, impaled on broken mirrors,
passing and gone into new space.
Objects born from you are mended, makeshift.
Their magic rides over rust and splinters and nails,
over shards of glass and cellophane beginning to rip.
Fragments of your work litter the banks of minor highways,
shattered faces of your icons lie on Hoboken junkyards,
float as smog over the East River,
grow black with the dust of abandoned coalbins.
One summer you made small rooms of wax
where people stood in taut ellipses staring and blind
with tenderness, with agony, with question and domestic terror.
They were candles burning.
You wanted to cast them in bronze but could not
Etgar Keret, Nathan Englander, Miriam Shlesinger, Sondra Silverston