back to their birthplaceâ¦to die? Sometimes I think itâs almost as if Lolaâsâ¦hiding.â Patâs silk taffeta rustled suddenly. âYou make me talk and talk. Good night, Ellery.â
âNight, Pat.â
Mr Queen stared into the dark for a long time. Yes, it was taking shape. Heâd been lucky. The makings were here, rich and bloody. But the crimeâthe crime. Where was it? Or had it already occurred?
Ellery went to bed in Calamity House with a sense of events past, present, and future.
On the afternoon of Sunday, August twenty-fifth, nearly three weeks from the day of Elleryâs arrival in Wrightsville, he was smoking a postprandial cigarette on his porch and enjoying the improbable sunset when Ed Hotchkissâs taxicab charged up the Hill and squealed to a stop before the Wright house next door. A hatless young man jumped out of the cab. Mr Queen felt a sudden agitation and rose for a better view.
The young man shouted something to Ed Hotchkiss, bounded up the steps, and jabbed at the Wright doorbell. Old Ludie opened the door. Ellery saw her fat arm rise as if to ward off a blow. Then Ludie scuttled back out of sight, and the young man dashed after her. The door banged. Five minutes later it was yanked open; the young man rushed out, stumbled into the waiting cab, and yelled to be driven away.
Ellery sat down slowly. It might be. He would soon know. Pat would come flying across the lawnâ¦There she wasâ¦âEllery! Youâll never guess!â
â Jim Haightâs come back ,â said Ellery.
Pat stared. âYouâre wonderful. Imagineâafter three years! After the way Jim ran out on Nora! I canât believe it yet. He looks so much olderâ¦He had to see Nora, he yelled. Where was she? Why didnât she come down? Yes, he knew what Muth and Pop thought of him, but that could waitâwhere was Nora? And all the time he kept shaking his fist in poor Popâs face and hopping up and down on one foot like a maniac!â
âWhat happened then?â
âI ran upstairs to tell Nora. She went deathly pale and plopped down on her bed. She said: âJim?â and started to bawl. Said sheâd rather be dead, and why hadnât he stayed away, and she wouldnât see him if he came crawling to her on his hands and kneesâthe usual feminine tripe. Poor Nora!â
Pat was in tears herself.
âI knew it was no good arguing with herâNoraâs awfully stubborn when she wants to be. So I told Jim, and he got even more excited and wanted to run upstairs, and Pop got mad and waved his best mashie at the foot of the stairs, like Horatius at the bridge, and ordered Jim out of the house, andâwell, Jim would have had to knock Pop down to get by him, so he ran out of the house screaming that heâd see Nora if he had to throw bombs to get in. And all of this time I was trying to revive Muth, who conveniently fainted as a sort of strategic diversionâ¦Iâve got to get back!â Pat ran off. Then she stopped and turned around. âWhy in heavenâs name,â she asked slowly, âdo I come running to you with the most intimate details of my familyâs affairs, Mr Ellery Smith?â
âMaybe,â smiled Ellery, âbecause I have a kind face.â
âDonât be foul. Do you suppose Iâm fââ Pat bit her lip, a faint blush staining her tan. Then she loped away.
Mr Queen lit another cigarette with fingers not quite steady. Despite the heat, he felt chilled suddenly. He threw the unsmoked butt into the grass and went into the house to haul out his typewriter.
5
Lover Come Back
Gabby Warrum, the one-toothed agent at the railroad station, saw Jim Haight get off the train. Gabby told Emmeline DuPré. By the time Ed Hotchkiss dropped Jim off at Upham House, where Ma for old timesâ sake managed to wangle a bed for him, Emmy DuPré had phoned nearly everyone in town