the feather pillows. "Your father came that year as you know, but he stayed for no more than a month or two and then went on home."
"There was never a young man after that. . ." I pushed, but in truth I had little appetite for anything to disturb the happiness I felt. How I loved the Spartan cleanliness of this bedchamber, the stone walls bare of paper or ornament, the high luster of the walnut-paneled bed.
"A young man?" She gave an easy, almost hearty laugh as with unerring certainty of her surroundings, she lifted the poker and stirred the fire. "What a strange thing for you to ask."
I sat silent for a moment looking in the mirror, as I took the last of the pins from my hair. It fell down heavy and warm around my shoulders. It felt good, like a cloak under which I could hide. But she turned as if sensing some uneasiness in me, and drew near.
"Why do you say a young man, Miss?" she asked. Slowly, tentatively, her fingers examined the long tresses that lay over my shoulders. She took the brush from my hands.
I felt perfectly foolish telling her the story, but I managed a simplified version, somehow, our meeting unexpectedly a devilishly handsome young man whom my father in anger had later called the master of Rampling Gate.
"Handsome, was he?" she asked as she brushed out the tangles in my hair gently. It seemed she hung upon every word as I described him again.
"There were no intruders in this house, then, Mrs. Blessington?" I asked. "No mysteries to be solved. . ."
She gave the sweetest laugh.
"Oh, no, darling, this house is the safest place in the world," she said quickly. "It is a happy house. No intruder would dare to trouble Rampling Gate!"
Nothing, in fact, troubled the serenity of the days that followed. The smoke and noise of London, and our father's dying words, became a dream. What was real were our long walks together through the overgrown gardens, our trips in the little skiff to and fro across the lake. We had tea under the hot glass of the empty conservatory. And early evening found us on our way upstairs with the best of the books from Uncle Baxter's library to read by candlelight in the privacy of our rooms.
And all our discreet inquiries in the village met with more or less the same reply: the villagers loved the house and carried no old or disquieting tales. Repeatedly, in fact, we were told that Rampling was the most contented hamlet in all England, that no one dared—Mrs. Blessington's very words—to make trouble here.
"It's our guardian angel, that old house," said the old woman at the bookshop where Richard stopped for the London papers. "Was there ever the town of Rampling without the house called Rampling Gate?"
How were we going to tell them of Father's edict? How were we going to remind ourselves? But we spoke not one word about the proposed disaster, and Richard wrote to his firm to say that we should not be back in London till Fall.
He was finding a wealth of classical material in the old volumes that had belonged to Uncle Baxter, and I had set up my writing in the little study that opened off the library which I had all to myself.
Never had I known such peace and quiet. It seemed the atmosphere of Rampling Gate permeated my simplest written descriptions and wove its way richly into the plots and characters I created. The Monday after our arrival I had finished my first short story and went off to the village on foot to boldly post it to the editors of Blackwood's Magazine.
It was a glorious morning, and I took my time as I came back on foot.
What had disturbed our father so about this lovely corner of England, I wondered? What had so darkened his last hours that he laid upon this spot his curse?
My heart opened to this unearthly stillness, to an undeniable grandeur that caused me utterly to forget myself. There were times here when I felt I was a disembodied intellect drifting through a fathomless silence, up and down garden paths and stone corridors that had witnessed