you back with me to Michigan.â
She laughed at the arrogance. They all did. But looking into his sky-blue eyes and blond crewcut hair, weighing the odds of her ending up with her throat slit on the street against those ice-blue eyes and a place called home with a front porch swing and a man who loved her, she knew. She said to herself, under her lips.
Yes.
FOUR
D anek wasnât about to let anyone leave without realizing he was the smartest kid in the room. The most talented. The one who was going places.
He hadnât thought, driving up to this humble little home, classmates in tow, over the gravel and through the pines, that he would give a flying fuck what these old geezers thought.
Er, he meant, the parents of the victim. Lt. Colonel and Dorothy Krause. I mean, they were ancient. They would probably just blather on the whole time. They would probably smell like soup.
He was prepared. He had a notepad. Different pens. Black with felt tips, for writing faster. He would get what Lars, Brad, and, oh . . . even Katy . . . missed. He, alone, would figure it out. He, alone, would be the hero.
He was not prepared. When the door opened and he saw that face. Jesus. You would not have guessed that Dorothy Krause was in her seventies. I mean, he knew they had children earlier back then, but holy smokes. He thought . . . not thought exactly, maybe felt, when that door opened and that face appeared . . . he felt drawn to walk up the stairs behind her, into the study and stay there, in this house, this home, for the winter.
They were good people.
Yes, itâs a simple phrase. One he could hear himself saying in the documentary. He would pause, then, for effect.
Danek Mitchell, what a dreamer!
She had made tea and an assortment of cookies, which they first refused, then picked at, then devoured. Everything placed gracefully on a silver serving tray, a silver service, wasnât that what it was called? You just didnât see it anymore. Tea in a silver serving kettle, on a silver tray, with teacups, tiny dishes beneath, and precious little flowers, daintily flaunting their tricks. Sugar, milk, lemon, if you need it. They just didnât do it like this anymore.
Dorothy Krause. Dotsy. With sable hair, ivory skin, that perfect, damned-near-perfect-placement face and those green, almost emerald eyes.
Simple really, there in a vanilla blouse, gray wool pants. Nothing showy. There were lace embellishments of some sort on the blouse, he couldnât remember, something small and sweet. But her way, her soft, gentle, unassuming way. Her sheer grace. It was disconcerting. Had Beth Krause, yes, Beth Krause, the one they were here about, the one they were gonna win an award with, the one found crumpled by the side of the road, had Beth Krause inherited this grace? These willow eyes? This unassuming, intoxicating nature?
If so, you could see why she was dead.
FIVE
A nd that could be something, too. The taste of a shell, or the dodge of a hand . . . something always, not infuriatingly, but rivetingly . . . just out of reach.
Danek tried not to think about Dorothy Krause in this way. It was inappropriate. It was ridiculous. And yet.
A sentence never uttered.
A something never had.
He wondered what she carried around underneath that ebony, ink-like crown.
She was a raven.
Odd, wasnât it, that he should feel this, feel anything really, this . . . grappling. And yet, there it was, right in front of him. He wanted to laugh. Wished he could laugh.
He found himself thinking of her, drawn to her name.
Dorothy Krause. What had it been before? Maybe he could ask her. But how could he ask her?
Matter of fact.
Put it with a lot of other questions.
And the name Dorothy. Wasnât that simple? Was she named, after all, after Oz?
Simpletons!
But yet, there she was, Dorothy Krause, with the invisible maiden name. Invisible life. What had she been before she had been . . . his?
His thoughts raced imagining her
Robert Asprin, Eric Del Carlo