heating vent above the trophy case. And he has a pretty blond woman by the throat, a gun to her head.
Itâs Christinaâs mom. The agent inclines his head at the camera, and Mrs. Scolina stares up at us with a terrified, pleading expression. The agent smiles. And then he speaks, the movements of his mouth exaggerated. I can almost hear his voice in my head as he says, âItâs time to come home, Tate. Weâll be waiting at your girlfriendâs place. You have until eight p.m.â
FOUR
I MANAGE TO CATCH CHRISTINA IN MY ARMS WITHOUT taking my eyes from the screen. As she cries, the screen goes dark. Then it begins to play again, on a loop, the whole thing unraveling before our eyes, letting us relive the horror.
Leoâs voice cracks as he curses. âThatâs her mom, isnât it? Itâs her mom.â
I lock eyes with him as I hold Christina against my chest. And I nod. This is my fault. All my fault. I bow my head and whisper into her hair. âThey wonât hurt her. Iâll give myself up. Weâll figure this out.â
Christina only sobs harder. My fingers burrow in her hair, and I wish I could draw the fear and the sorrow out of her head and carry it for her. My own eyes are stinging as she shudders against me. âThey said we have until eight, which gives us thirteen hours. It takes about twelve to drive to New York. We have to get out of here.â I glance at Leo, whoâs staring down at the Steno notebook where my dad wrote âRace: âSicariiââ and âFind it in 20204.â I snatch the notebook out of his reach and flip it shut. âCan you make it back to Chicago by yourself?â
âIâm going with you.â
âI canât take care of you, too.â
Leo stands up straight, his eyes at the level of my chin, all skinny and defiant. He reminds me of me in a way, not yet realizing how small he is, and maybe stronger than he looks. âI can help you guys. Youâre not the only one with skills.â
âBallistics?â I ask.
He nods. âAnd self-defense. Chemistry, too. Strategy.â
âAnd tactics,â we say together. Because my dad taught him. All those trips to Chicago, and some of that time away from home was spent on this kid. I shouldnât feel jealous. But I do.
Maybe he senses it. âUncle Angus and Uncle George taught me a lot, too,â he offers.
âThe moment you get in my way, Iâm putting you on a bus back to Chicago. Do you understand me?â
He shoves his hands into his pockets and bobs his head. His jaw is tenseâheâs clenching his teeth. Determined to prove himself. Fine. Iâll let him. âWe need cash. Where do you think my dad would have kept it?â
He smiles. âMaybe in the underground garage out behind this shack?â
My mouth drops open. âWhat?â
âYou didnât notice it when you came in?â
I muscle down the urge to flip him off. âLetâs go see what he left me, then.â
â¢Â â¢Â â¢
He left me a lot. As I explore the underground garage, Leo sits with Christina on the grass at the top of the ramp. Through the open doors, I hear snatches of their conversation, enough to know that the kid is actually trying to distract her, telling her some story about a time he made a red cabbage pH indicator for a chemistry experiment and ended up accidentally dyeing both his hands red. When I hear her let out a raspy chuckle, Iâm amazed. And, okay, a bit grateful. It makes it easier to focus, knowing sheâs all right for the moment.
Until I hear shots fired, which sends my blood pressure so high that my vision spots. My heart in my throat, I scramble up the ramp and realize Leoâs moved on to teaching Christina how to handle a gun. She looks angry and determined as she squeezes the trigger. Heâs not only made her laugh, heâs given her something to focus on, something that