friend invited us to be seated, and two or three of the pretty young women brought green tea in Japanese bowls. We sipped and made small talk. She invited me to come and spend a weekend at her country home in Kamakura. I accepted, and of that I shall tell more later. We did not stay long, for it is never good manners in Japan to stay too long on a first call. In fifteen minutes or so, the pretty young woman directed us to the office of the head of the company, a handsome tall man, neither young nor old.
He sat behind his desk and when we entered he rose, bowed and invited us to be seated around a wide long table. He did not speak much English, and his secretary, another pretty young woman, translated for him and for us. He was an intelligent man, as one could see from his fine cultivated face, and a man of the world, assured, self-confident, courteous. The room, as are most offices and business rooms in Japan, was well-designed and sparely but excellently furnished with modern furniture, calm in atmosphere. We sat down at the table in comfortable leather chairs and another pretty girl or two brought us fresh tea. While the men talked through the pretty girl interpreter, I examined the room. On the wall near us, at the end of the room, hung three impressive oil portraits, founders of the company, I was told. These were the only pictures except that, on the opposite walls, as I next observed, there hung a large calendar, whereon was imprinted in poster style the lively form of a bathing beauty in full color, an engaging object upon which the eyes of the three solemn gentlemen, though deceased, still seemed to be fixed. I wondered, laughing inwardly, if one of the neat and pretty girls had hung her counterpart there with humorous intent.
Meanwhile the conversation was proceeding briskly. It was obvious that our host understood English perfectly, but the pretty girl interpreted for him just the same, and with a lively dignity. He obviously relied on her good sense as well as on her competence. What does the Japanese man think of this new woman? I made up my mind to find out somehow, some day. As for her, she appeared to be extremely useful as well as ornamental and, above all, she seemed to be happy. Her ancient sadness was gone. Tragedy had left her, and if what had taken its place was not exactly comedy, it was something vivacious and delightful.
In an amazingly short time the details of our co-operation were fixed—if anything can be said to be fixed in the fluidities and exigencies of film making. The amenities, at least, over, this head of a great triangular company invited us to meet with the remaining third, the production manager. We knew then that we had reached the ultimate, the practical, the man with whom we must deal again and again. To meet him, however, would not be possible until after the weekend, for it was the end of the day, and the day the last of the working week. The weekend in Japanese society has become as important an event as in the most Western country. Nothing could be done until it was over. It was the ideal time to accept the invitation from my friend.
Not far from the huge and modern city of Tokyo is the quiet town of Kamakura. It is famous in Japanese history but famous now because it is the home of some of Japan’s best-known writers. My friend’s husband was in Europe but she herself came for me in her comfortable and chauffeured car. We drove through the crowded city and the spreading suburbs into the country. It was a sunny afternoon in August, but we did not know it was sunny until we got out of the city because of the smog, which is the same anywhere, and in Tokyo it can be rich and thick, and was that day.
I greatly enjoyed the drive, nevertheless, not only because it gave me the opportunity to see the general outlines of the amazing new Tokyo, at least in one direction, but also because I found that I could really talk with the equally amazing new Japanese woman at my side. She
Nancy Isenberg, Andrew Burstein
Alex McCord, Simon van Kempen