Tags:
Mystery, horses, French Resistance, Thoroughbreds, Lexington, WWII, OSS historical, crime, architecture, horse racing, equine pharmaceuticals, family business, France, Christian
Calumet Farms. Her sisterâs over to the fabric shop in Versailles.â
âI think so. Why?â
âWell, she and me, Iâm gunna tell ya the whole truth here, we had to get married, and sheâs six months along. Sheâs working at the 7-11, but she cainât too much longer. Weâre havinâ twins, and itâs gittinâ hard for her to stand that long. I was working over to a real good barn in Paris, stable hand, some groominâ, some hot walkinâ, and like I say, Iâm gunna tell ya the whole thing here, I got to drinking last Friday night, and I showed up late to work on Saturday, and Mr.ââ
âHow late?â
âLittle over an hour. Six-fifteen âstead a five, and the barn manager let me go. It was the second time I done it in a year, but the manager, him and me, we never got along real good, and he let me go. Canât say I blame him. I had it cominâ, I know that. Horses gotta eat on time. âSpecially ones in training.â
âYeah.â
âWe was livinâ in a tenant house there, and weâre over to her folks now, but we gotta find a new place. I thought maybe you folks could use some help, and maybe there was a tenant house we could move into. Iâll work real hard. I will. Iââ
âI donât know, Buddy. We donât hire much help. Iâd have toââ
âI learned my lesson good. I swear to you I have. I took my last drink. I walked up front Sunday, and I meant it. I got babies cominâ, and I wantta be somebody they can be proud of. I wantta take care of Becky too. And there ainât nothinâ else I ever wanted to do but work with horses. I been doing it my whole life, you know that. You remember when we was kids.â
âLet me think about it. Iâm not promising anything. I donât think Uncle Toss needs help right now. Heâs got somebody part time at night already, during foaling. But Iâll talk to him tomorrow. Donât you get your hopes up though, you hear?â
âI do. And I thank you, Jo, for even thinkinâ about it.â
âGive me a number where I can call you.â
âWhatcha gunna do with the puppy?â
âKeep her for now till I find her a home. Though Toss may want her. I lost my dog in the fall. But Iâm leaving town in a week or two, and wonât be around to raise her.â
The puppy was asleep in a nest of towels in a cardboard box under the dining room table when the storm hit hardest two hours later, the wind and rain tearing across that high ridge, tossing the trees like ferns in a gale, while lightening lit the night sky from one end to the other.
It made Jo flinch, as she sat beside the puppy, choosing architecture books to take on her trip â when she heard something else in the storm that mightâve been a knock on her door.
She stood up and listened, past the lashing of the wind and rain, and heard the same muffled thud, louder this time and more insistent.
Jo walked through the archway into the front hall across wide heart-pine floors, then turned on the porch lights, and opened the left side of the white double doors.
A stranger stood there, thin, pale, drenched and shivering, cuts on one hand that were bleeding, a half-grey six-inch beard dripping on his flannel shirt, on a shapeless canvas jacket too, his hair plastered slick on his head, an army pack on one shoulder.
Jo closed the door part way, while she asked how she could help.
The man tried to smile, but coughed instead, before he said, âDonât you know me, Josie?â
Jo looked at him harder, and still didnât recognize him.
âTom brought me. During training. Christmas of â45 too.â He coughed again, harder and louder.
And Jo said, âYou look familiar, but I⦠Come on in and get warmed up.â
âJack. Freeman. I taught you some French.â
âOh! Yes, of course.â
Jack Freeman