when she goes. My hair's too curly and I talk too much and I eat too many fried foods. And Ira's suit is cut poorly and he doesn't know how to do business." Mabel was nodding, all sympathy, but Ira of course thought Maggie was acting overemotional. He didn't say so, but he shifted in his seat; that was how she knew. She ignored him. "You know what she told me the other day?" she asked Mabel. "I was testing out this tuna casserole. I served it up for supper and I said, 'Isn't it delicious? Tell me honestly what you think.' And Daisy said-" Tears pricked her eyelids. She took a deep breath. "Daisy just sat there and studied me for the longest time," she said, "with this kind of ... fascinated expression on her face, and then she said, 'Mom? Was there a certain conscious point in your life when you decided to settle for being ordinary?' " She meant to go on, but her lips were trembling. She laid aside her chips and fumbled in her purse for a Kleenex. Mabel clucked. Ira said, "For God's sake, Maggie." "I'm sorry," she told Mabel. "It got tcune." "Well, sure it did," Mabel said soothingly. She slid Maggie's coffee mug a little closer to her. "Naturally it did!" "I mean, to me I'm not ordinary," Maggie said.
"No indeedy!" Mabel said. "You tell her, honey! You tell her that. You tell her to stop thinking that way. Know what I said to Bobby, my oldest? This was over a tuna dish too, come to think of it; isn't that a coincidence. He announces he's sick to death of foods that are mingled together. I say to him, 'Young man,' I say, 'you can just get on up and leave this table. Leave this house, while you're at it. Find a place of your own,' I say, 'cook your own durn meals, see how you can afford prime rib of beef every night.' And I meant it, too. He thought I was only running my mouth, but he saw soon enough I was serious; I set all his clothes on the hood of his car. Now he lives across town with his girlfriend. He didn't believe I would really truly make him move out." "But that's just it; I don't want her to move out," Maggie said. "I like to have her at home. I mean look at Jesse: He brought his wife and baby to live with us and I loved it! Ira thinks Jesse's a failure. He says Jesse's entire life was ruined by a single friendship, which is nonsense. All Don Burnham did was tell Jesse he had singing talent. Call that ruining a life? But you take a boy like Jesse, who doesn't do just brilliantly in school, and whose father's always at him about his shortcomings; and you tell him there's this one special field where he shines-well, what do you expect? Think he'll turn his back on that and forget it?" "Well, of course not!" Mabel said indignantly.
"Of course not. He took up singing with a hard-rock band. He dropped out of high school and collected a whole following of girls and finally one particular girl and then he married her; nothing wrong with that. Brought her to live in our house because he wasn't making much money. I was thrilled. They had a darling little baby. Then his wife and baby moved out on account of this awful scene, just up and left. It was nothing but an argument really, but you know how those can escalate. I said, 'Ira, go after her; it's your fault she went.' (Ira was right in the thick of that scene and I blame him to this day.) But Ira said no, let her do what she liked. He said let them just go on and go, but I felt she had ripped that child from my flesh and left a big torn spot behind." "Grandbabies," Mabel said. "Don't get me started." Ira said, "Not to change the subject, but-" "Oh, Ira," Maggie told him, "just take Highway Ten and shut up about it." He gave her a long, icy stare. She buried her nose in her Kleenex, but she knew what kind of stare it was. Then he asked Mabel, "Have you ever been to Deer Lick?" "Deer Lick," Mabel said. "Seems to me I've heard of it." "I was wondering where we'd cut off from Route One to get there." "Now, that I wouldn't know," Mabel told him. She asked Maggie, "Honey, can
Elizabeth Amelia Barrington