Brass Go-Between Read Online Free PDF

‘obvious Portuguese derivation, but nevertheless of exquisite workmanship.’ Another near quote was when he wrote that ‘the native leaders insist that it portrays their history from ancient times, but I regard this as highly improbable.’”
    Once again Frances Wingo sipped some water. “In 1910,” she went on, “the first detailed report on the shield was contained in a monograph privately published in London by Jonathon Twill, the archeologist. He described it as being cast by the ‘lost wax’ method which was first used by the people of the Nile. He measured and weighed the shield and found it to weigh 68 pounds and to measure 39 inches in diameter. He also noted that it was constantly guarded and for the first time reported its real significance.
    “Winston wrote that the Komporeeneans believed that whoever possessed the shield was empowered to rule the nation. He also mentioned that possession of the shield had been the cause of what he described as ‘innumerable intertribal wars.’
    “In the late 1940’s a special British commission was appointed to make a thorough investigation of the shield of Komporeen. Although it was unable to interpret the meaning of the bas-relief figures which stem from its center in a series of ever-widening concentric circles, it was able to establish the approximate age. The shield of Komporeen was judged to have been cast in the ninth century. As such, it is far older than the bronzes and brasses of Ife and Benin in Nigeria.
    “The shield of Komporeen was on display in the Jandolaean National Museum in Brefu, the second-largest city in the republic. It was only with the greatest reluctance that the Jandolaean government agreed to permit the shield to become part of the Pan-African Exhibition. They did so, frankly, because of their intense feeling of nationalism which made them want to boast, understandably enough, I suppose, of their past civilization which was capable of producing such a magnificent work of art at a time when Europe was emerging from its dark ages.”
    Again she paused, sipped some more water, and looked at Spencer. “I hope I’m not taking too much time,” she said.
    “Go on,” Spencer said.
    “The Pan-African Exhibit has now been on tour for nearly a year. During this time a revolution has broken out in Jandola, as I’m sure you know. Both the Federal government of Jandola and the breakaway province which has adopted the ancient name of Komporeen claim the shield as their own. Unfortunately, the shield has become a primary symbol in the civil war and both sides attach an extraordinary amount of significance to its possession. The U.S. has no diplomatic relations with the breakaway nation of Komporeen. Jandola, for the moment, is content to let the shield remain in the U.S. for obvious political and propaganda purposes. It was my unpleasant task to inform their embassy that it had been stolen. I might add that the reverberations from their embassy, as well as from our State Department, can only be described as severe.
    “The theft of the shield was discovered at twelve twenty-five Friday morning. The Metropolitan Police were immediately notified as was I. Shortly thereafter I called Mr. Spencer and then the Jandolaean Embassy. Because of the shield’s unique political significance, it was agreed that news of the theft would not be released. After investigating, the police concluded that the theft was an inside job. You are aware that the museum contains the most sophisticated electronic warning and alarm devices available. Mr. Amos Coulter designed some of them himself. A theft by forced entry is virtually impossible. To bear out the inside-job theory one of the guards assigned to the Pan-African Exhibition failed to report to work the following afternoon. His name is John Sackett and police have been unable to locate him. He has been employed by the museum for nearly eight months.”
    Frances Wingo needed another sip of water. “Last Friday, at