and (this is where it gets a little weird) have at least one senior boy dance with it.
At first I am distracted by theme ideas. Then I remember the reason for my after-school existence and continue heading to locker 264 . . . until I am stopped by my English teacher, who wants to compliment me on my reading of Oscar Wilde in yesterday's class. I can't exactly blow her off, nor can I blow off Infinite Darlene when she asks me how her double role at the Homecoming Pride Rally went.
The minutes are ticking away. I hope Noah is equally delayed, and that we'll arrive at his locker at the same time, one of those wonderful kismet connections that seem like signs of great things to come.
"Hey, Boy Romeo." Ted is now alongside me, luckily not stopping as he talks.
"Hey," I echo.
"Where you goin'?"
"Locker two sixty-four."
"Isn't that on the second floor?"
I groan. He's right.
We walk up the stairs together.
"Have you seen Joni?" he asks.
Sometimes I feel like fate is dictated by irony (or, at the very least, a rather dark sense of humor). For example, if I am standing next to Joni's on-and-off boyfriend and he says, "Have you seen Joni?" the obvious next step would be to reach the top of the stairway and see Joni in a full frontal embrace with Chuck, on the verge of a serious kiss.
Joni and Chuck don't see us. Their eyes are passionately, expectantly closed. Everybody pauses to look at them. They are a red light in the hallway traffic.
"Bitch," Ted whispers, upset. Then he charges back down the stairs.
I know Noah is waiting for me. I know Joni should know what I've seen. I know I don't really like Ted all that much. But more than I know all those things, I know I have to run after Ted to see if he's okay.
He stays a good few paces ahead of me, pushing through hallway after hallway, turn after turn, hitting backpacks off people's shoulders and avoiding the glances of gum-chewing locker waifs. I can't figure out where he's going. Then I realize he doesn't have any particular destination in mind. He's just walking. Walking away.
"Hey, Ted," I call out. We're in a particularly empty corridor, right outside the wood shop.
He turns to me, and there's this conflicted flash in his eyes. The anger wants to drown the shock and the depression.
"Did you know about this?" he asks me.
I shake my head.
"So you don't know how long?"
"No. It's news to me."
"Whatever. I really don't care. She can hook up with whoever she wants. It's not like I was interested. We broke up, you know."
I nod. I wonder if he can actually believe what he's saying. He betrays himself with what he says next.
"I didn't think football players were her type."
I agree, but Ted's not listening to me anymore.
"I gotta go," he says. I want there to be something else for me to say, something to make him feel even marginally better.
I look at my watch. It's been seventeen minutes since the end of school. I use a different stairway to reach the second floor. The locker numbers descend for me: 310 . . . 299 . . .
275 . . .
264.
Nobody home.
I look around for Noah. The halls are nearly deserted now-- everyone's either gone home or gone to their activities. The track team races past me on their hallway practice run. I wait another five minutes. A girl I've never seen before, her hair the color of honey-dew, walks by and says, "He left about ten minutes ago. He looked disappointed."
I feel like a total loser. I rip a page out of my physics book and write an apology. I go through about five drafts before I'm satisfied that I've managed to sound interested and interesting without seeming entirely daft. All the while, I'm still hoping he'll show up. I slip the note into locker 264.
I head back down to my own locker. Joni is nowhere in sight, which is a good thing. I can't even begin to know what to say to her. I can see why she would have kept the news about Chuck from Ted. But I can't figure out why she never told me. It
At first I am distracted by theme ideas. Then I remember the reason for my after-school existence and continue heading to locker 264 . . . until I am stopped by my English teacher, who wants to compliment me on my reading of Oscar Wilde in yesterday's class. I can't exactly blow her off, nor can I blow off Infinite Darlene when she asks me how her double role at the Homecoming Pride Rally went.
The minutes are ticking away. I hope Noah is equally delayed, and that we'll arrive at his locker at the same time, one of those wonderful kismet connections that seem like signs of great things to come.
"Hey, Boy Romeo." Ted is now alongside me, luckily not stopping as he talks.
"Hey," I echo.
"Where you goin'?"
"Locker two sixty-four."
"Isn't that on the second floor?"
I groan. He's right.
We walk up the stairs together.
"Have you seen Joni?" he asks.
Sometimes I feel like fate is dictated by irony (or, at the very least, a rather dark sense of humor). For example, if I am standing next to Joni's on-and-off boyfriend and he says, "Have you seen Joni?" the obvious next step would be to reach the top of the stairway and see Joni in a full frontal embrace with Chuck, on the verge of a serious kiss.
Joni and Chuck don't see us. Their eyes are passionately, expectantly closed. Everybody pauses to look at them. They are a red light in the hallway traffic.
"Bitch," Ted whispers, upset. Then he charges back down the stairs.
I know Noah is waiting for me. I know Joni should know what I've seen. I know I don't really like Ted all that much. But more than I know all those things, I know I have to run after Ted to see if he's okay.
He stays a good few paces ahead of me, pushing through hallway after hallway, turn after turn, hitting backpacks off people's shoulders and avoiding the glances of gum-chewing locker waifs. I can't figure out where he's going. Then I realize he doesn't have any particular destination in mind. He's just walking. Walking away.
"Hey, Ted," I call out. We're in a particularly empty corridor, right outside the wood shop.
He turns to me, and there's this conflicted flash in his eyes. The anger wants to drown the shock and the depression.
"Did you know about this?" he asks me.
I shake my head.
"So you don't know how long?"
"No. It's news to me."
"Whatever. I really don't care. She can hook up with whoever she wants. It's not like I was interested. We broke up, you know."
I nod. I wonder if he can actually believe what he's saying. He betrays himself with what he says next.
"I didn't think football players were her type."
I agree, but Ted's not listening to me anymore.
"I gotta go," he says. I want there to be something else for me to say, something to make him feel even marginally better.
I look at my watch. It's been seventeen minutes since the end of school. I use a different stairway to reach the second floor. The locker numbers descend for me: 310 . . . 299 . . .
275 . . .
264.
Nobody home.
I look around for Noah. The halls are nearly deserted now-- everyone's either gone home or gone to their activities. The track team races past me on their hallway practice run. I wait another five minutes. A girl I've never seen before, her hair the color of honey-dew, walks by and says, "He left about ten minutes ago. He looked disappointed."
I feel like a total loser. I rip a page out of my physics book and write an apology. I go through about five drafts before I'm satisfied that I've managed to sound interested and interesting without seeming entirely daft. All the while, I'm still hoping he'll show up. I slip the note into locker 264.
I head back down to my own locker. Joni is nowhere in sight, which is a good thing. I can't even begin to know what to say to her. I can see why she would have kept the news about Chuck from Ted. But I can't figure out why she never told me. It
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