that.”
It doesn’t seem right to raise their glasses with the dead young woman watching, her naked, savaged body right there on the table, in a sense.
“And a toast to the FBI,” says Captain Poma. “To their determination to turn this into an act of terrorism. The ultimate soft target – an American tennis star.”
“It’s a waste of time to even allude to such a thing,” Benton says, and he picks up his glass, not to toast but to drink.
“Then tell your government to stop suggesting it,” Captain Poma says. “There, I will say this bluntly since we’re alone. Your government is spreading this propaganda from behind the scenes, and the reason we didn’t discuss this earlier is because the Italians don’t believe anything so ridiculous. No terrorist is responsible. The FBI to say such a thing? It’s stupid.”
“The FBI isn’t sitting here. We are. And we aren’t the FBI, and I’m weary of your references to the FBI,” Benton replies.
“But you were FBI most of your career. Until you quit and disappeared from sight as if you were dead. For some reason.”
“If this were an act of terrorism, someone would have claimed responsibility by now,” Benton says. “I’d rather you don’t mention the FBI or my personal history again.”
“An insatiable appetite for publicity and your country’s current need to scare the hell out of everybody and rule the world.” Captain Poma refills their wineglasses. “Your Bureau of Investigation interviewing witnesses here in Rome, stepping all over Interpol, and they’re supposed to work with Interpol, have their own representatives there. And they fly in these idiots from Washington who don’t know us, much less how to work a complex homicide – ”
Benton interrupts him. “You should know by now, Captain Poma, that politics and jurisdictional infighting are the nature of the beast.”
“I wish you would call me Otto. As my friends do.” He moves his chair closer to Scarpetta, and with him comes the scent of his cologne, then he moves the candle. He glances in disgust at the table of obtuse, hard-drinking Americans and says, “You know, we try to like you.”
“Don’t try,” Benton says. “No one else does.”
“I’ve never understood why you Americans are so loud.”
“Because we don’t listen,” Scarpetta says. “That’s why we have George Bush.”
Captain Poma picks up the photograph near her plate, studies it as if he’s never seen it before. “I’m looking at what’s in plain view,” he says. “And all I see is the obvious.”
Benton stares at the two of them sitting so close, his handsome face like granite.
“It’s better to assume there’s no such thing as obvious. It’s a word,” Scarpetta says, sliding more photographs out of an envelope. “A reference to one’s personal perceptions. And mine may be different from yours.”
“I believe you demonstrated that quite exhaustively at state police headquarters,” the captain says, while Benton stares.
She looks at Benton, a lingering look that communicates her awareness of his behavior and how unnecessary it is. He has no reason to be jealous. She has done nothing to encourage Captain Poma’s flirtations.
“In plain view. Well, then. Why don’t we start with her toes,” Benton says, barely touching his buffalo mozzarella and already on his third glass of wine.
“That’s actually a good idea.” Scarpetta studies photographs of Drew. She studies a close-up of Drew’s bare toes. “Neatly manicured. Nails painted recently, consistent with her getting a pedicure before she left New York.” She repeats what they know.
“Does that matter?” Captain Poma studies a photograph, leaning so close to Scarpetta that his arm is touching hers, and she feels his heat and smells