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was bittersweet. “I can still smell him on it. Even after all these years. It’s strange how we leave something of ourselves behind us, so long after we are gone. A scent, a strand of hair. It’s comforting, really, to think that we don’t just vanish entirely without trace.”
    No, Enzo thought. Only some murderers manage that.
    She pushed open a door to an adjoining room. “He had his
petit bureau
in here. His little private den.”
    Enzo followed her in. It was a small room with one single tall, arched window facing out on the view. A roll top desk was pushed against the wall beneath it, mahogany filing cabinets on either side, one topped with an inkjet printer/copier. The rest of the room was bare but for a couple of armchairs arranged around a fireplace that looked and felt as if it hadn’t seen flames since the flame of life had been extinguished from its owner. The walls were painted cream, the skirting boards and architraves a dark chocolate brown. Framed photographs of Marc Fraysse covered the walls. Press photographs, mostly. Marc pictured with celebrities, politicians, movie stars; engaging in a round table debate in a TV studio; in the kitchen, dressed in his chef’s whites and tall hat. And in framed reviews, letters from Michelin, and a hand-written note from the late French president, François Mitterand.
Dear Marc, I have no idea how to fully express the pleasure I derived from indulging in the pure “style Fraysse” at Saint-Pierre yesterday evening. I am salivating still. Or, as my political opponents would probably have it… dribbling…
    Enzo studied a portrait of the young Marc taken by the celebrated Robert Doisneau. A chiaroscuro in black and white of a fresh-faced young man inclined to plumpness, dark eyes shining with life and humour. And something else. Something intensely felt, burning somewhere far behind them. The ambition, perhaps, the drive that had made him one of the world’s top chefs in the years to come. Whatever it was, Doisneau had caught it. Magically. It had been the great talent of the man to capture what no one else even saw.
    He turned, then, noticing for the first time another door, in the wall opposite the window.
    “It opens off the hall,” Madame Fraysse said. “He liked to come and go without going through the apartment.” She cast a critical eye around the room. “It feels a little cold now.” And Enzo realized she didn’t mean the temperature. “I had it redecorated after his death. I regret that now. There was so much of him in here. But I just couldn’t bear the constant reminder. Now, it might have been a comfort.”
    She turned toward the roll top and drew back the lid to reveal a cluttered desktop, shelves and brass-handled drawers ranged along behind it. It was a handsome piece of furniture
    “But I never cleared out his desk. So many personal things. It didn’t seem right.”
    Among all the papers lay a titanium MacBook Pro laptop computer, and next to it a white pearl fountain pen, intricately worked in what looked like matte silver. It stood in an elegant desk stand. Enzo lifted it up and removed the cap to reveal the engravings on its silvered nib. “It’s a beautiful pen.”
    “It’s a Dupont Taj Mahal. The workings are in palladium. It’s softer than platinum, and more beautifully colored, don’t you think? It was one of a limited edition of a thousand.”
    Enzo raised an eyebrow. This was no ordinary pen. “Must have been expensive.”
    “I think, monsieur, you could have dined at Chez Fraysse every evening for a week, and still had change. After he gained that third star, nothing was too good for Marc. Only the finest pen was good enough for writing on the finest paper.” She lifted up a sheet of stationery from the desk. “You only have to touch it to feel the quality. He had all our stationery watermarked with the MF logo.” She held it up to the light, and Enzo saw the pale graphic representation of the intertwined M and F