or foul slander.”
“I understand, I understand,” Rience said quickly. “But perhaps that is a bad example. I am not, after all, interested in anyone’s peccadilloes or sins. You will not slander anyone by answering my questions. All I need is one small piece of information: what really happened to Cirilla, the Queen of Cintra’s granddaughter? Many people claim she was killed during the siege of the town; there are even eye-witnesses to support the claim. From your ballad, however, it would appear that the child survived. I am truly interested to know if this is your imagination at work, or the truth? True or false?”
“I’m extremely pleased you’re so interested.” Dandilion smiled broadly. “You may laugh, Master whatever-your-name-is, but that was precisely what I intended when I composed the ballad. I wished to excite my listeners and arouse their curiosity.”
“True or false?” repeated Rience coldly.
“If I were to give that away I would destroy the impact of my work. Goodbye, my friend. You have used up all the time I can spare you. And two of my many inspirations are waiting out there, wondering which of them I will choose.”
Rience remained silent for a long while, making no move to leave. He stared at the poet with his unfriendly, moist eyes, and the poet felt a growing unease. A merry din came from the bawdy-house’s main room, punctuated from time to time by high-pitched feminine giggles. Dandilion turned his head away, pretending to show derisive haughtiness but, in fact, he was judging the distance to the corner of the room and the tapestry showing a nymph sprinkling her breasts with water poured from a jug.
“Dandilion,” Rience finally spoke, slipping his hand back into the pocket of his sepia-coloured tunic, “answer my questions. Please. I have to know the answer. It’s incredibly important to me. To you, too, believe me, because if you answer of your own free will then—”
“Then what?”
A hide-ous grimace crept over Rience’s narrow lips.
“Then I won’t have to force you to speak.”
“Now listen, you scoundrel.” Dandilion stood up and pretended to pull a threatening face. “I loathe violence and force, but I’m going to call Mama Lantieri in a minute and she will call a certain Gruzila who fulfils the honourable and responsible role of bouncer in this establishment. He is a true artist in his field. He’ll kick your arse so hard you’ll soar over the town roofs with such magnificence that the few people passing by at this hour will take you for a Pegasus.”
Rience made an abrupt gesture and something glistened in his hand.
“Are you sure,” he asked, “you’ll have time to call her?”
Dandilion had no intention of checking if he would have time. Nor did he intend to wait. Before the stiletto had locked in Rience’s hand Dandilion had taken a long leap to the corner of the room, dived under the nymph tapestry, kicked open a secret door and rushed headlong down the winding stairs, nimbly steering himself with the aid of the well-worn banisters. Rience darted after him, but the poet was sure of himself – he knew the secret passage like the back of his hand, having used it numerous times to flee creditors, jealous husbands and furious rivals from whom he had, from time to time, stolen rhymes and tunes. He knew that after the third turning he would be able to grope for a revolving door, behind which there was a ladder leading down to the cellar. He was sure that his persecutor would be unable to stop in time, would run on and step on a trapdoor through which he would fall and land in the pigsty. He was equally sure that – bruised, covered in shit and mauled by the pigs – his persecutor would give up the chase.
Dandilion was mistaken, as was usually the case whenever he was too confident. Something flashed a sudden blue behind his back and the poet felt his limbs grow numb, lifeless and stiff. He couldn’t slow down for the revolving door, his