mirror, a miracle of light, staring impassively over the tops of the trees. I never knew who Cotter was, but the name suggested…never mind. He was long gone now, and in what had been his kitchen, among the ferns that flourished there, a woman's pale hands clutched and loosed in languorous spasms a pale white arse bare below a hiked-up shirttail. She cried out softly under his thrusts, and, as I watched, a delicate arc of briar beside them, caught by a stray breeze, sprang up suddenly into the air, where two butterflies were gravely dancing. Lift your head! Look! The mirror's pale, unwavering, utterly silent gaze sent something like a deep black note booming through the wood's limpid song, and I felt, what shall I say, that I had discovered something awful and exquisite, of immense, unshakeable calm.
I wandered farther then, by unknown ways, and soon I heard Mama's voice hallooing here and there, each cry a little closer. I waited, and it was not long until she came hurrying down the hill, hands fluttering and her hair streaming behind her. She leaned over me, enfolding me in a tender weight of love and concern, murmuring incoherently into my ear, warm round words, swollen like kisses. Her cheeks burned. We found Papa pacing impatiently under the tree, kicking leaves and smoking a cigar. The picnic things were packed and stacked beside him. As we approached he bent to pick them up, and bending gave me that crooked sidelong sort of grin which is about the most I ever had from him by way of affection, which I always tried to avoid, and never could, it was so knowing, so penetrating and so cold. Mama was very busy, tying up her hair, taking things out of the basket only to put them back again, foothering around, as Granny Godkin would have said. The folded cloth slipped from under her arm and opened like an ungainly flower, and from out of its centre staggered a bruised blue butterfly. She paused, stood motionless for a moment, and then very slowly put her hands over her face and began to cry. ‘Jesus,’ said Papa, without any particular emotion, and walked away from us. For my part I was quite calm.
We straggled homeward. My father's long stride carried him far ahead of us, and he had to stop often and urge us on with weary silent stares. Mama laughed and chattered and exclaimed over the flowers in the hedge, trying by her gaiety to make the three of us doubt that outburst of tears. Her prattling irritated me. Full of the secret glimpsed under Cotter's wall, I carried myself carefully, like a patient floating blissfully on a drug, forgetful of the pain biding its time outside the vacuum. O I am not saying that I had discovered love, or what they call the facts of life, for I no more understood what I had seen than I understood Mama's tears, no, all I had found was the notion of—I shall call it harmony. How would I explain, I do not understand it, but it was as if in the deep wood's gloom I had recognised, in me all along, waiting, an empty place where I could put the most disparate things and they would hang together, not very elegantly, perhaps, or comfortably, but yet together, singing like seraphs.
So it was, as I walked up the drive, I perceived in my once familiar kingdom the subtle strains of this new music. The sun shone calmly on the garden, except in the corner by the swing where daffodils blazed like trumpetblasts. Josie was polishing an upstairs window, and the glass, awash with sky, shivered and billowed under the sweep of her cloth. We climbed the steps, into the hall, and Mama, pressing a hand to her forehead, dropped a bunch of primroses on a chair and swept away to her room. The cluster of bruised flowers came slowly asunder, one fell, another, and then half of them tumbled in a flurry to the carpet, and behind me the tall clock creaked and clicked, and struck a sonorous bronze chord. Listen, listen, if I know my world, which is doubtful, but if I do, I know it is chaotic, mean and vicious, with laws cast